Two teenage girls come-of-age in a small town. They use “teen speak”, spend all their time on social media, and find themselves consumed by their various hobbies. What makes Tragedy Girls different from a plethora of similar films is that one of these girls’ hobbies is murder.
Dead Shack (DIR. Peter Ricq) Audiences that like their zombies with a healthy side of laughs shouldn’t miss Dead Shack, director Peter Ricq’s dark comedy about three teenagers whose week-long vacation at a cabin in the woods takes a nightmarish turn when they learn that their neighbour in the cabin next-door is feeding unsuspecting young locals to her undead family.
Filmmaker Reese Eveneshen seems to be his own worst enemy with his latest project Defective. On one hand, on a limited budget, he’s developed Toronto into a nameless city living in a convincing dystopia. The visuals are on par with the works of Neill Blomkamp (District 9, Elysium). However, Eveneshen’s overwritten screenplay becomes so convoluted, it reaches a point of no return.
This critic sometimes finds it impossible to believe the sort of films that premiere at film festivals. As I have warned you before, the Toronto After Dark Film Festival is particularly guilty of this cinematic crime when it comes to their world premieres. I would love to be proven wrong, but the streak continues.
Now, this is more like it! Let Her Out is the type of movie I want to see from Canadian filmmaker Cody Calahan.
By: Shahbaz Khayambashi Once again, the sun sets on another successful edition of the Toronto After Dark Film Festival. On the tenth anniversary of this local darling, I felt it necessary to shine a light on what I have consistently felt to be an important and underappreciated part of this festival: the shorts. The first time that I went to the festival, about six years ago, my first screening was the Shorts After Dark program and I…
Deathgasm (DIR. Jason Lei Howden) By: Shahbaz Khayambashi Think to yourself for one moment: what do you imagine when you think of a film entitled Deathgasm? Jason Lei Howden’s film is basically that. The plot is simple enough: four teenage New Zealand metalheads decide to form a band, after sneaking into a Varg Vikernes stand-in’s house and coming into possession of music and lyrics to a demonic song which turns the inhabitants of their small town…
A Christmas Horror Story (DIR. Grant Harvey, Steven Hoban & Brett Sullivan) By: Addison Wylie It’s easy to picture the pitch meetings around the anthology project A Christmas Horror Story. The movie, after all, is strung together by ideas that probably sounded better on paper than how they look on the big screen. However, no matter how awesome they first appear to be, A Christmas Horror Story doesn’t know how to assemble them together into a cohesive flick….
The Hexecutioners (DIR. Jesse Thomas Cook) By: Shahbaz Khayambashi If I can give one bit of advice to a first-time attendee of Toronto After Dark, it would be to avoid the festival’s world premieres. In my time of attending this festival, I have had the opportunity to see three world premieres – I’m zero for three. Now, I can say, after having viewed The Hexecutioners, I can chalk up another clunker. This film is an absolute mess…
Backtrack (DIR. Michael Petroni) By: Shahbaz Khayambashi Michael Petroni’s Backtrack contains a villain that does not often end up in horror films: guilt. Adrien Brody portrays a psychiatrist, still seeing patients as he is being torn apart inside by the death of his young daughter. It is at this juncture of his life where he realizes that he needs to come to terms with a traumatic accident that he witnessed, and inadvertently caused, as a child….