In 2013, audiences were treated to two movies involving hostage situations in the White House: Antoine Fuqua’s Olympus Has Fallen and Roland Emmerich’s White House Down. The former performed well enough at the box office to merit a sequel, while the other languished in obscurity, likely due to its director’s notorious incompetence. And yet, much like its predecessor, London Has Fallen shows that in terms of quality, White House Down triumphed where Olympus had fallen.
By: Addison Wylie This isn’t the case with most sequels, but Pitch Perfect 2 is bigger in every way, and therefore better in every way. And, no, that isn’t a playful jab at Rebel Wilson and her Fat Amy character. This is a series that needs to rise to the occasion and use all the space around it in order to feel worthy. The film needs to break out of a boxed-in format and use every…
By: Addison Wylie Misunderstandings are a common thread in movies directed by the Farrelly Brothers. With Dumb and Dumber To, misunderstandings have exceeded past plot and the dimwitted characters. Since Dumb and Dumber To has the filmmakers returning to the past, let’s take a look at their flawed filmography. The 90’s were very kind towards the brothers with Dumb and Dumber, KIngpin, and There’s Something About Mary scoring mightily with audiences. In 2003, matters started…
By: Addison Wylie Good things come in pairs; such as with the clever 22 Jump Street. The comedy is a complimentary companion to its surprisingly hilarious predecessor, but also acts as another sample of how filmmakers Phil Lord and Christopher Miller are the kings of their goofball trade. There’s no point for sequel naysayers to pitch that 22 Jump Street throws more of the same at its audience. It straight-up admits it! Part of the fun in watching…
By: Addison Wylie It must be nice for director Mike Clattenburg to know the Trailer Park Boys fan base he’s co-created isn’t going anywhere. That must be why his latest criminal adventure with Sunnyvale’s best isn’t afraid to experiment with a beginning of downbeats. Clattenburg – who knows how to maneuver through ridiculous circumstances with these hilariously seedy characters using DIY filmmaking – oddly sets the bar low with the likability factor this time. He…
By: Addison Wylie It was nice to see a young adult book series stick to its gritty tone and not feel the need to make it lighter for a mainstream audience. That’s exactly what The Hunger Games did with its first venture to the big screen. It did, however, succumb to attributes that felt reminiscent to other franchises with a widespread teen audience. One of these beats being complications with affection between two strapping young…
By: Addison Wylie Lloyd Kaufman has proven with Return to Nuke ‘Em High Volume 1 that you can go “back to the well” and resurrect a bawdy riot that was started more than two decades ago. The filmmaking ringmaster returns to Tromaville to continue the story of plagued teenagers who are slowly mutating due to exposure of toxic waste. The nasty nuclear power plant (which was stationed beside the high school) has been torn down,…
By: Addison Wylie Hank Azaria – really is – a talented individual. Out of all the projects that would’ve convinced me of this, I never thought a sequel to 2011’s big screen treatment of The Smurfs would bring on this revelation. We’ve all seen actors converse and interact with cartoons in real life environments in movies. However, even the most physically capable slapstick performers have had their troubles convincing us these creations are real. I immediately…
By: Addison Wylie If you thought the big screen world of Cloudy with a Chance of Meatballs couldn’t get any stranger, you obviously haven’t visited a world full of live, hybrid leftovers. Directors Cody Cameron and Kris Pearn (the latter having some involvement with the film’s predecessor) are fully aware as to how Cloudy with a Chance of Meatballs won audiences over with its wild visuals and bizarre sense of humour. That’s why there’s even…
By: Addison Wylie I see V/H/S/2 as a sign that these bruised and battered anthology pieces could become something very exciting. The series started on a raw note with V/H/S. An extremely raw note. The set-up that a group of ruff-and-tuff thugs start dying from watching mysterious found footage located in a skeezy house was a bit too vague to go off on. It didn’t help that the acting by those random criminals all felt forced….