Adapting to a compromised year, the annual Canadian Film Fest has decided to screen select titles from the year’s lineup exclusively on Super Channel. Wylie Writes received a sneak peek of the two documentaries that will close out this year’s run.
The selling point of For Love or Money is the outrageous premise that’s established well in the trailer. It offers a familiar dynamic, but is so suggestive towards the film’s comedic potential that viewers are naturally reeled in. If you enjoyed How to Lose a Guy in 10 Days or What Happens in Vegas, here’s a movie for you.
Fleeting moments of marital bliss is the subject of Rebecca Addelman’s Paper Year, a film that explores the tumultuous first year of marriage between two millennials living precariously in Los Angeles. Although largely sympathetic to its central couple, Paper Year often feels like it would have more potential as a cautionary tale for young lovers trying to make it big in the entertainment industry. Though, perhaps it is the balance between sympathy and cautionary that…
Maya (22 Jump Street’s Amber Stevens West) is left scrambling when she finds her fiancé “fooling around” with another girl. Having met the man of her dreams while visiting Africa, she returns home with a lie that will convince her parents that she still has her life on track. A kind stranger named Malcolm (Shamier Anderson) meets Maya during his own panic as a greedy former friend (Tyrell played by Lyriq Bent) chases him down….
Happy Anniversary is a rom-com with erratic behaviour. Jumpy storytelling and unlikable characters make this movie hard to warm up to, but some solid laughs makes this pill easier to swallow.
Despite a cast that boasts the talents of Toni Collette (The Sixth Sense, Little Miss Sunshine), Harvey Keitel (The Grand Budapest Hotel, Bugsy, Pulp Fiction), Tom Hughes (Cemetery Junction), and Rossy de Palma (Julieta, Kika), Madame is a flat and charmless romantic comedy.
By: Jessica Goddard Home Again is for Hollywood, by Hollywood, about Hollywood. If you can deal with that, you might enjoy this safe and well-meaning romantic comedy. Hallie Meyers-Shyer’s Home Again (a title which never ends up making any sense) is rarely laugh-out-loud funny, but it’s often endearing in a snort-and-smile kind of way.
I’ve criticized romantic comedies for being too quirky, too plucky, and too light. However, it’s been because these over-saturated films have also tried to sell audiences phoney sentimentality while peddling hammy humour – it’s an uneven combo. Bakery in Brooklyn picks one side and sticks with it, which is why it’s receiving a hearty recommendation.
No Stranger Than Love is known around the Wylie household for its unofficial working title I’ve coined – the ‘Alison Brie Hole-in-the-Floor’ movie. However, the only memorable aspects of Nick Wernham’s rom-com are those two details – the former Community actress and the bottomless pit that randomly sprouts in her living room and gobbles up a promiscuous co-worker (Colin Hanks).
There are movies by Garry Marshall that are “very Garry Marshall”, and movies that are “sort of Garry Marshall”. Mother’s Day is – most definitely – “very Garry Marshall”.