By: Addison Wylie If That Awkward Moment wanted to be a standard decently funny rom-com, I wouldn’t have minded. I would’ve been disappointed and miffed a smidgen because I know the leading talent in front of the camera deserves (and can deliver) better results, but this could’ve been that inching exception. If typical scary movies can keep horror hounds busy until the January doldrums end, why can’t the romantic comedy genre have its “free pass”…
By: Addison Wylie To say Adore is a misfire would be putting it lightly. A swan dive off the cliffs of good taste is more like it. Adore is not only a wicked boo-boo filed under the heading “films that are just plain wrong”, but it’s a howlingly bad one. There were multiple times where Anne Fontaine’s film had me at a loss for words. However, there were other scenes where Fontaine had me expressing…
By: Addison Wylie Palme d’Or winner Blue Is the Warmest Colour is an intellectual work about observing and defining sexuality. It’s a raw look allowing the viewer to be in clear view of everything, but by no means presents itself as indecent. In fact, those graphic scenes of sexual content that seem to be flooding the media surrounding Blue Is the Warmest Colour with controversy are represented this way because there is no other way…
By: Addison Wylie Here’s an interesting proposal. Take the producers behind romantic hits such as Love Actually and Bridget Jones’ Diary and apply their genre knowledge in a direction that turns romantic comedies on their ear. Then, bring in Dan Mazer to write and direct the sweet and salty hybrid. Mazer has plenty of experience shocking audiences with filthy jokes. His résumé consists of behind-the-scenes work on Da Ali G Show as well as lending his penmanship…
By: Addison Wylie It’s appropriate that If I Were You’s climax includes a theatrical production because Joan Carr-Wiggin’s film is a full-on farce that would play well on stage. When I say “farce”, I mean a comedy of errors set at Defcon 4. This is the type of film where someone ties a noose around their neck with full intentions to hang themselves, only to forget about the rope until they try and walk to…
By: Addison Wylie I get worried when I feel emotionless at the end of a movie like The Broken Circle Breakdown. Felix Van Groeningen’s drama didn’t make me feel depressed to a point of numbness. In fact, he wants his audience to feel high levels of emotion more than anything. The film offers a lot to smile and cry about with its themes of love and loss, and a lot to tap your toes to…
By: Addison Wylie When a film has a trailer that’s as routine as Admission’s, it’s hard to excitedly anticipate it. The movie appeared to be feather light fare, coming through on all those chick flick clichés that feel all too familiar. And, how many movies and television episodes can Tina Fey star in where motherhood is a prominent theme!? Surprisingly enough, I found myself enjoying Admission and laughing quite often. I would even go as…
By: Addison Wylie The last thing I expect to feel during “riotous and outrageous sexual exploration” is snooze-inducing boredom. That was the case with My Awkward Sexual Adventure, an unadulterated Canadian sex comedy that sets up an array of absurd situations only to do nothing but fumble around. I hate pointing all the blame towards one individual, but with My Awkward Sexual Adventure, it’s tough not to do that when Jonas Chernick is the source…
By: Addison Wylie I can only write a review for Richard Linklater’s Before Midnight with a biased opinion. Not only am I a fan of Linklater’s two previous acquaintances with romantics Jesse and Céline (both played wonderfully by Ethan Hawke and Julie Delpy), but I’m also someone who fell head over heels for someone lovely who soon became my wife, and we proceed to take long walks and ramble until we forget where we were…
By: Addison Wylie In the span of a month, Toronto has gotten two independent films that feature exotic locations starring a cast member of Degrassi: The Next Generation. While they’re both badly made, Adriarico My Love is not the worst out of the two. That dishonour still goes to Dev Khanna’s Fondi ’91. However, Nikola Curcin’s peculiar film is a shabby endeavour and just about the strangest film you’ll see this Summer – and, not…