By: Addison Wylie Copenhagen is bound to be compared to Lost in Translation or Cairo Time. A young man (William played by Game of Thrones’ Gethin Anthony) embarks on foreign travels and runs into a young woman (Effy played by Frederikke Dahl Hansen) who becomes very interested in the man’s personal journey. They drink in the scenery, taste the culture, and slowly develop something that’s more than a friendship. However, complications arise – as they…
By: Addison Wylie “Is this really happening?” Get used to those four words, people. You’ll be asking yourself that a lot during Words and Pictures, a big letdown that wavers between an overplayed drama, an awkward romantic comedy, and hokey classroom schmaltz. Despite that harsh statement, Words and Pictures isn’t flat-out bad. We at least have watchable performances by Clive Owen and Juliette Binoche. Their roles as teachers who butt heads (Binoche being the more…
By: Addison Wylie There should be entertainment in watching something as expensive and clueless as Winter’s Tale foul up as bad as it does. To do so, there has to be peculiar performances or unusual story elements to keep us guiltily hooked. Winter’s Tale has these, but it’s empty core covers any unintentional laughs. It’s a film serviced by a writer/director who can’t fully comprehend the source material he’s adapting. Akiva Goldsman has been a producer on…
By: Addison Wylie Ever since The Notebook’s crowd pleasing fame, there’s been a line of Nicholas Sparks adaptations brought to the big screen. Because these films have hit home runs at the box office, it wasn’t surprising to see other romantic book-to-film conversions follow suit. The trailer for The Fault in Our Stars gave off that cover of being “just another one of those romantic movies”. Movie goers who have read and fallen in love with…
By: Addison Wylie Seth MacFarlane is known for pushing the limits. He practically takes over FOX every Sunday night with various animation programs that would make your parents cup their own ears. He’s also shown his naughty side with his feature film debut hit Ted, a crass comedy about a friend and his talking – occasionally drunk and high – teddy bear. With his latest anticipated endeavour A Million Way to Die in the West, those gross-out…
By: Addison Wylie Mustering through Making the Rules is like watching a bunch of people try and sail using only the framework of a boat. The film marks the acting debut of musician Robin Thicke. This triggers a question right off the bat: is watching thespian Thicke as painful as it sounds? My answer may disappoint those wanting me to slam the Blurred Lines hit maker. I honestly couldn’t tell you if his performance is…
By Parker Mott It’s hard to watch The Other Woman without bringing into the equation James Toback’s remarkable 1997 feature Two Girls and a Guy, a talk-heavy, one-room dramedy about two women (played by Heather Graham and Natasha Gregson Wagner) who discover they are dating the same man (played by Robert Downey, Jr.) and then conspire to make him suffer for his cheating ways. The movie found ingenuity in the shameless rationale of its male…
By: Addison Wylie Everyone knows of Richard Curtis’ work one way or another – usually more so with a predominant female audience. Those women have usually caught these films when they’ve wanted to watch a cute chick flick with friends or they’ve caught the films on television during a cozy night in. Fellas, most of you have likely been dragged – er, have volunteered – to watch these romances with significant others. I may sound…
By: Addison Wylie Every so often, a movie comes along and upsets me heavily with how it wastes prime opportunities. February has slung that film at me and it’s called Sex After Kids, a Canadian independent comedy helped out with a successful IndieGoGo campaign. The only thing that stops me from getting really angry at Sex After Kids is that there is not a mean bone in its body. Filmmaker Jeremy Lalonde has truly tried…
By: Addison Wylie “Bittersweet” is the best word to describe Her. Spike Jonze has taken our bad habits with technology and projected them to frame an original love story with messages of poignancy. It’s a personal film about an impersonal society. The characters on-screen are closed off to everyone around them. Among them is writer Theodore Twombly (played by Joaquin Phoenix who is a spitting image of Napoleon Dynamite’s “womanizing” brother Kip). People are enjoyably…