Robert Nolan

Festival Coverage

Toronto After Dark 2017: ‘Sixty Minutes to Midnight’

Filmmakers seem eager to work with Robert Nolan – I don’t blame them.  Nolan is, undoubtably, one of the best character actors working in the industry.  He’s respected because of his ability to morph into a role, and because of how professional he is.  I’ve seen him play an embarrassing parent, an insane clown, a teacher on the brink of destruction, and I’ve even seen him pull disgusting “things” out of his body.  He can…

Reviews

Pete Winning and the Pirates: The Motion Picture

By: Addison Wylie UPDATE: This review was written for the film’s premiere in December 2015.  Pete Winning and the Pirates: The Motion Picture hits Amazon Prime and DVD on Tuesday, January 23, 2018. Pete Winning and the Pirates: The Motion Picture receives its Canadian premiere at Toronto’s The Royal Cinema on December 4th.  After that, I’m not too sure what the plans are for its open release.  I’m hoping it’ll be easy to seek out because, like lost…

Festival Coverage

Fantasia Fest 2015: ‘HEIR’

By: Addison Wylie Horror masterminds Richard Powell and Zach Green will always pull the best performances out of character actor Robert Nolan.  This has been the case with their vividly gruesome short films Worm and Familiar, and while their third collaboration HEIR may be their weakest entry, Nolan unstoppably beams as Gordon – a man suppressing a secret. Powell is back in the director’s chair with HEIR, as well as holding the pen that writes the…

Festival Coverage

Canadian Film Festival ’15: Late Night Double Feature

By: Addison Wylie An after hours horror show goes mad in the uneven Late Night Double Feature.  Before the mayhem ensues on the set of Dr, Nasty’s Cavalcade of Horror, the audience is treated to a couple of spooky shorts intercut by commercials and previews. For the most part, the film is authentically structured like a craggy cable access show, which provides plenty of chuckles.  An ill-placed ad cashing in on the night’s horror theme…

Reviews

Silent Retreat

By: Addison Wylie I have a bit of history with Silent Retreat. I caught Tricia Lee’s thriller at last year’s Toronto After Dark Film Festival where it received its fair amount of warm reception.  Though the filmmaker was clear about the film’s intentions in a post-Q&A, it was a pick at the festival that really rubbed me the wrong way. The flick’s primary problem was that it was dramatically overscored.  It’s smothering music told the…