Rose Glass’ long-awaited feature-length debut Saint Maud has been billed as a horror, but it’s more of a melancholic character piece that analyzes the psychological turmoil a devout follower could experience….that works way too hard to be textbook horror.
When Robert Eggers appeared on the cinematic scene with The Witch at 2015’s Sundance Film Festival, he exposed untold new ways to tell horror stories. So, what can someone who has already reinvented a genre do to follow up such a work? Eggers decided to use a similar formula—mainly the research of authentic historical documents that went into the screenplay’s creation of horror—to tell a brand-new story. The results are great.
Two teenage girls come-of-age in a small town. They use “teen speak”, spend all their time on social media, and find themselves consumed by their various hobbies. What makes Tragedy Girls different from a plethora of similar films is that one of these girls’ hobbies is murder.
Adam Wingard’s Blair Witch isn’t quite a franchise reboot as it is a do-over or a reworking of previous ideas used in the series’ much-hated sequel Book of Shadows: Blair Witch 2.