Sausage Party is a shock comedy that’s heavy on “shock” and light on “comedy”. The film is supposed to subvert clean-cut animated films with inappropriate dialogue and black humour, but ends up becoming a crass and awkward in-joke between the comic cast.
A little girl (Mackenzie Foy) is strictly structured by her all-business, all the time mom (Rachel McAdams). It’s summer time, and instead of playing she is to spend her days studying so she can impress her authorities at her oveestigious academy school, so she can get into a prestigious high school, so she can get into a prestigious university, so she can spend her adult life working hard and forcing her children to do the…
By: Addison Wylie Before Paul Rudd was Ant-Man, before Elizabeth Banks was one of comedy’s leading ladies, and before Bradley Cooper became an Oscar nominated actor/producer, all three actors starred in an indescribable indie comedy called Wet Hot American Summer. The movie also served as a launching pad for Parks and Rec’s Amy Poehler, Stella’s Michael Ian Black, Bad Milo’s Ken Marino, and Brooklyn Nine Nine’s Joe Lo Truglio – all of whom had never…
By: Addison Wylie I bet if we scoured filmmaker David Wain’s DVD collection, we would find romantic comedies. A lot of them. It takes a certain kind of guilty affection to lampoon a genre this immaculately. That’s what the absurdist has done with fellow writing cohort Michael Showalter. The two collaborated on the cult hit Wet Hot American Summer – which took the piss out of camp movies – and now they go for the…
By: Addison Wylie After Anchorman: The Legend of Ron Burgundy’s slow success, a sequel has been in high demand from its cult community. What that crowd – as well as the film’s cast and crew – didn’t realize is that capturing that same lightning in a bottle is easier said than done. Director/co-writer Adam McKay returns with the film’s original Channel 4 news team (Paul Rudd, David Koechner, Steve Carell, with Will Ferrell leading the…
By: Addison Wylie When a film has a trailer that’s as routine as Admission’s, it’s hard to excitedly anticipate it. The movie appeared to be feather light fare, coming through on all those chick flick clichés that feel all too familiar. And, how many movies and television episodes can Tina Fey star in where motherhood is a prominent theme!? Surprisingly enough, I found myself enjoying Admission and laughing quite often. I would even go as…
By: Addison Wylie Taking a break from his independent fare, filmmaker David Gordon Green got familiar with the Apatow brat pack – launching him to direct the uneven but oddly memorable Pineapple Express. His directorial hand was embraced and pushed him down a path helming louder movies like Your Highness and The Sitter, two off-putting crudities that aren’t worthy of Green’s time and talent. With Prince Avalanche, it feels as if Green is making the…
By: Addison Wylie I would love to see what writer/director Judd Apatow could do with a film that punches out after 90 minutes – including credits. This Is 40 starts out strong and funny, but is then torpedoed by needless subplots that are tediously stretched out causing the runtime to slowly expand. Apatow has shown with his previous directorial work that he loves to let his material breathe. Not in a pretentious way, but in…