By: Nick van Dinther Hollywood is often criticized for rehashing the same ideas repeatedly without bringing anything new to the table. At the very least, Infinity Baby bucks that trend and brings us something we haven’t seen before.
The Little Hours fuses arthouse cinema with modern comedic stylings borrowed from Judd Apatow’s toybox. In other words, it’s a film with lovely cinematography and patient pacing, yet features bawdy behaviour and provocative profanity.
By: Jessica Goddard The Hero is a fine movie, but nothing particularly groundbreaking. Sam Elliott stars as the lonely, burnt-out actor Lee Hayden, who deals with his pancreatic cancer diagnosis by avoiding it completely. He spends his days smoking pot with his dealer (Nick Offerman) and standing at the ocean shoreline, brooding. His relationship with his daughter (Krysten Ritter) is awful because he was “always away”, and his life is completely devoid of romantic love…
Director John Lee Hancock and his company on The Founder have proven themselves to be geniuses for one reason: without a hint of pretense, they have managed to make people pay them to watch a feature length McDonald’s advertisement.
It’s hard to believe that Ray Romano, John Leguizamo, Denis Leary, and the animals they voice are on their fifth feature-length lap with the Ice Age series – that’s a long time for any franchise. Then again, there’s always going to be a crowd for these adventurous, likeable mammals because Blue Sky Studios knows how to make a slick-and-quick movie for families. Ice Age: Collision Course is no different.