The original cast, director, and screenwriters from Netflix’s surprise hit The Princess Switch have reunited for The Princess Switch: Switched Again to offer fan service for at-home viewers. But even though the production remembers what tickled audiences the first time around, they have failed to capture the same spark in this rusty sequel.
I’m Thinking of Ending Things is a melancholic psychodrama with spurts of deliberate awkwardness, but should you expect anything else from writer/director Charlie Kaufman?
The Old Guard, a boring misfire from director Gina Prince-Bythewood (Love & Basketball, Beyond the Lights) and writer Greg Rucka, is an action/thriller with no stakes.
Chris Bolan’s documentary A Secret Love is a sweet tearjerker that explores the nearly 70-year relationship between ex-All American Girls Professional Baseball League player Terry Donahue and her loyal partner Pat Henschel.
With Netflix’s Extraction, Marvel filmmakers Anthony and Joe Russo continue to produce thrilling action fodder while taking fairly green directors under their wings.
The Willoughbys tries to straddle the line between being playfully grim and downright bizarre but, instead, alternates from being one or the other. Based on Lois Lowry’s children’s book and evoking memories of stranger family fare like James and the Giant Peach, Matilda, and Lemony Snicket’s A Series of Unfortunate Events, The Willoughbys is a unique endeavour that will make you laugh as much as it will straight-up weird you out.
Netflix’s latest romantic comedy Love Wedding Repeat is about the unpredictable path of fate. How one altered detail can completely rewrite the future – it’s possible at-home viewers will be reminded of 2004’s The Butterfly Effect. Making a parallel connection with the present, fate seems to be cutting me a break. Love Wedding Repeat has found its way to me after I survived Netflix’s Coffee & Kareem. Maybe if I didn’t watch that horrendous comedy, I…
Director Michael Dowse comes from an eclectic filmography, but he’s becoming the go-to guy for mainstream fare. He recently brought audiences Stuber, which was an efficient buddy comedy but aggressively ordinary. But, following up a bland movie with something so unfunny and foul will make you value mediocrity. That’s *exactly* what happens with Dowse’s Netflix Original Coffee & Kareem, one of the worst movies of the year.
In between takes on the set of David Fincher’s Gone Girl, Tyler Perry must’ve thought about making a crime drama or an erotic thriller; and he must’ve thought about merging those ideas into one project. But like most pipe dreams, these visions are usually filed away into our subconscious. But for Perry, A Fall from Grace must’ve been itching to get out.
