An artist making an autobiographical documentary is a bold and, quite frankly, strange move. But in the case of Moby Doc, this choice is on brand for enigmatic electronic musician Moby. Early into the movie, even Moby acknowledges how seemingly unconventional this choice is. This doesn’t excuse the odd conception of Moby Doc but, at least, it gives us an idea of how self-aware the musician is. However, a detrimental line is crossed when Moby…
By: Trevor Chartrand Director Wendy Morgan has made an interesting and thought-provoking film with her drama Sugar Daddy. The movie features the story of Darren, an aspiring musician who joins a paid dating service to make ends meet until her music career takes off. While acting as arm candy for wealthy older guys at high society functions is by no means prostitution, Darren struggles with her own self-worth and the moral implications of selling herself…
Earlier this week, the ALMA Observatory photographed “the first direct image of a black hole”. The picture glowingly pulsates if you stare at it for too long – it’s actually quite marvellous. What the ALMA Observatory may not know is that I had seen a star collapse the night before – a walking black hole, if you will, portrayed by Elisabeth Moss (The One I Love, Us).
Jazz doc A Tuba to Cuba has a structure that’s similar to the musical genre’s free-flowing essence – the film is informed and pleasant to take in, but it’s also suspiciously unkempt.
By: Trevor Chartrand Director Ethan Hawke’s country music biopic Blaze leaves a lot to be desired – with a lot of atmosphere and not much narrative, this film is meandering and weak. To some, the film could perhaps be considered an abstract poem, akin to the music stylings of the late Blaze Foley, which I suppose should be commendable. However, given the more obscure nature of this film’s subject, the storytelling gaps will leave audiences…
Almost Almost Famous is high energy and often kind of cheesy – much like the performers it follows. While the film certainly isn’t terrible and there are a handful of moments that feel honest and genuine, this is a documentary that never quite manages to find its footing.
Eugene Jarecki takes to the road in Elvis Presley’s 1963 Rolls Royce in The King. The documentary’s narrative itself is like Jarecki’s luggage – crammed-full and seeping out of the zippers. However, this stuffed film is interesting in ways thought-provoking open discussions can be.
The ReelHeART International Film & Screenplay Festival is currently underway until Saturday, July 8 featuring events all over the city of Toronto. I’ve seen two of this year’s selected documentaries and while these films belong in separate categories, both have a comparable criticism.
Pardon me it this sounds silly, but I Called Him Morgan – a music documentary about jazz trumpeter Lee Morgan – has too much music. The music itself isn’t bad, but director/producer Kasper Collin has included so much of it that the tunes actually engulf the rest of this otherwise adequate film.
