The High Note is an enjoyable romantic dramedy with charming performances and some great tunes.
Military Wives has been tailor-made to be a crowd-pleaser. The ingredients are there: the leading characters have an entertaining dynamic that plays on their opposite personalities, they lead a team of underdogs, nostalgic pop tunes are worshipped amongst the film’s kind-hearted humour, a strong patriotic backbone holds up a story that’s been loosely based on real events. As much as it bugs me that the filmmakers believe they’ve cracked the code to pleasing general audiences…
Somewhere during the making of this film adaptation of Danny Schur and Rick Chafe’s period musical Stand!, the project was seriously mishandled. Robert Adetuyi’s film version sounds like it should be on stage and looks as if it was written and shot for daytime television.
Max Lewkowicz’s documentary Fiddler: A Miracle of Miracles teaches viewers about the history of the iconic musical Fiddler on the Roof, as well as the play’s cultural impact which still maintains its relevance to this day since first opening in 1964.
Alopecia, an autoimmune condition that causes hair loss of different degrees, is an issue that forces those living with it to be in a constant state of awareness; having to find their own individual way to address it. This self-conscious struggle of those personally effected is the topic at bay in Foxy, a concern that was also hindering co-director/co-writer/star Trista Suke before making this thesis project with co-director/co-writer Ellis Poleyko.
There seems to be a new trend where every Summer, audiences receive a musically-savvy indie. Two years ago, movie goers relished in Sing Street, followed by Patti Cake$ the year after. This season, move goers will be put under a spell by Hearts Beat Loud, an effortlessly charming and heartwarming dramedy from writer/director Brett Haley (The Hero).
By: Jessica Goddard Geremy Jasper’s Patti Cake$ is a fresh and energetic take on the “wannabe rapper” sub-sub-genre.
Jude Klassen’s feature film debut Love in the Sixth is a hodgepodge of “stuff”, but I kind of expected that.
In this age of postmodernism, filmmakers are always willing to go back to the well and make films which are heavy on pastiche from an earlier Hollywood – these tributes are very hit-or-miss. Damien Chazelle’s La La Land is a strange film that succeeds at its recreations, but fails at everything else.
Aim For The Roses (DIR. John Bolton) By: Shahbaz Khayambashi After describing the premise of this documentary to a friend, her response was short and simple: “sounds stupid.” I have to say, I didn’t disagree with the sentiment that it sounded “stupid”, but the final result is one of the most exciting, most unusual documentaries I have ever seen.