Things I Do For Money could be compared to 2004’s You Got Served, which is a movie I thought I wouldn’t be referencing 16 years later. Yet, here we are.
Director, writer, and star Frederick Keeve demonstrates a strong imagination but a weak sense of dramatic ability in his feature The Accompanist, a story about a gay piano accompanist who becomes infatuated with a male ballerina amidst a series of tragedies that befall both men.
The Incoherents is a charming, if somewhat cheesy and predictable, comedy that follows four forty-something men who attempt to revive their dreams of rock stardom by reuniting their old band.
Filmmaker Nick Broomfield recounts his memories of Marianne Ihlen and singer/songwriter Leonard Cohen in his documentary Marianne & Leonard: Words of Love.
Sam Tweedle, a local theatre critic for KawarthaNow.com, is one of the most well-versed music wiz’s I know. We occasionally run into each other at local productions he’s writing about, but I’m almost more familiar with his online takes on his favourite musicians and underrated albums. During our run-ins, he picks my brain about movies. We agree on Kirk Cameron, we disagree on 1st Summoning, but I digress.
By: Jolie Featherstone “Three chords and the truth” – Harlan Howard’s oft-quoted definition of country music may well describe the soul of Wild Rose. Directed by Tom Harper and written by Nicole Taylor, Wild Rose is a classic underdog tale with an endlessly watchable underdog in the form of the fiery Rose-Lynn Harlan.
By: Trevor Chartrand I’m Going to Break Your Heart is an observational documentary that explores the relationship between Canadian indie-rock legend Raine Maida and his Juno-Award winning wife Chantal Kreviazuk as they collaborate on their first album together. The couple struggles as all couples do, with the added challenges and frustrations of working together to create art as a team.
Teen Spirit is an uplifting contemporary musical that will be a hit with its teenage crowd. The swooning camera work, the boosted colour palette, and its covers of catchy electro-pop tunes are all advantageous qualities towards the film’s pep.
Earlier this week, the ALMA Observatory photographed “the first direct image of a black hole”. The picture glowingly pulsates if you stare at it for too long – it’s actually quite marvellous. What the ALMA Observatory may not know is that I had seen a star collapse the night before – a walking black hole, if you will, portrayed by Elisabeth Moss (The One I Love, Us).
Jazz doc A Tuba to Cuba has a structure that’s similar to the musical genre’s free-flowing essence – the film is informed and pleasant to take in, but it’s also suspiciously unkempt.