By: Trevor Chartrand Documentary filmmaker Delila Vallot brings the world passion and soul personified in her emotionally-charged character study, Mighty Ground.
Itzhak is a charming and easygoing documentary about renowned violinist Itzhak Perlman.
I Can Only Imagine is, more or less, about the act of forgiveness. And just like that personal journey, this movie starts out tough before it starts feeling better for everyone.
Where You’re Meant to Be isn’t without good music, interesting history, and touching moments, but I still feel like director Paul Fegan misses the mark.
Shoestring doc Strad Style is blessed by its main focus, Daniel Houck.
A documentary about The Tragically Hip’s Man Machine Poem Tour needed to be made. After all, it was a pivotal imprint in modern Canadian culture as the entire nation collectively considered the band’s timeless legacy and paid respects to terminally ill musician Gord Downie. Finding filmmakers to handle such sensitive subject matter would be an intimidating order, yet Jennifer Baichwal (Watermark) and Nicholas de Pencier (cinematographer on The Ghosts in Our Machine) rise to the occasion and exceed…
Benny Boom, the music video director/indie filmmaker behind Next Day Air and 48 Hours to Live, has been given a chance to swim in a larger pond with the Tupac Shakur biopic All Eyez on Me. On paper, this should work. Boom’s been working upwards to larger projects, and the source material is certainly in his wheelhouse.
The documentary form of filmmaking has been around since the very beginning of the moving image. In well over a century, it has been transformed in a variety of ways, leading to some of the most innovative cinema. This is exactly why it is always so frustrating when someone takes an interesting individual or event and makes a documentary that takes nothing from this history, instead opting to utilize the same old cookie-cutter style of…
The ReelHeART International Film & Screenplay Festival is currently underway until Saturday, July 8 featuring events all over the city of Toronto. I’ve seen two of this year’s selected documentaries and while these films belong in separate categories, both have a comparable criticism.
There’s not much to say about Matt Schrader’s ever imaginatively titled Score: A Film Music Documentary. A documentary made in praise of the Hollywood elite composers (who, to be fair, deserve the praise), Score has the presentation quality of a TV special or DVD bonus feature with no original thoughts about its subject.