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Mongrel Media

Reviews

Dogman

By: Trevor Chartrand In Dogman, a mild-mannered dog groomer named Marcello (Marcello Fonte) struggles to make ends meet in his Italian slum.  He gets by in his community, which is populated by a variety of small-time crooks, by dealing cocaine to support his ex-wife and their daughter.  After standing up to a notorious citizen however, the former boxer and town bully Simoncino (Edoardo Pesce), Marcello loses the respect of his neighbors and is forced to…

Reviews

Pavarotti

Pavarotti is a celebration of Luciano Pavarotti’s career and his achievements as a legendary opera singer and performer.  Ron Howard’s documentary is jovial, just as Pavarotti was known to be.  As someone who had limited knowledge of the timeless tenor, I walked away from Howard’s enlightening documentary with a new appreciation for music.

Reviews

Aniara

If you prefer science fiction to be grim, perhaps Pella Kågerman and Hugo Lilja’s Aniara will be your “thing”.  Although I can’t comment on the film’s faithfulness to its source material (Harry Martinson’s Nobel prize winning poem of the same name), Aniara is very good in terms of riveting near-future sci-fi, but it’s definitely for a specific crowd.

Reviews

Hail Satan?

Never in my wildest dreams would I have predicted to watch an upbeat documentary about satanists.  But, here we are: I have watched such a movie and, here I am, suggesting you do the same.

Reviews

Sunset

Sunset is a sophomore feature from Oscar-winning Hungarian director László Nemes (Son of Saul).  Unfortunately, I haven’t seen Son of Saul, so I can’t compare notes nor can I comment on how the filmmaker has grown.  However, I was reminded of another recent period film while I was watching Sunset – Yorgos Lanthimos’ The Favourite.

Reviews

Giant Little Ones

Giant Little Ones is a very sweet movie about confronting and dealing with homophobia as a teenager.  If that reads like I’m patronizing the film, I don’t mean to be.  This is an important coming-of-age story with a unique voice, and filmmaker Keith Behrman should be proud of his accomplished indie.  It’s a hopeful movie that will hit home with audiences.

Reviews

Woman at War

Benedikt Erlingsson must be a gambling man.  With his new film Woman at War, he pushes the limit on imagination;  crossing the narrative with elements of a thriller and a deadpan comedy.  But like a gambler with no self-control, Erlingsson overestimates his luck;  spinning the film’s results into a somewhat smug affair.