By: Trevor Chartrand Pedro Almodóvar’s Pain and Glory is a well-crafted melodrama; an emotional piece weighed heavily by its evocation of sadness and regret. The film stars Antonio Banderas as Salvador Mallo, an aging filmmaker who reflects on his past and the mistakes he’s made – mistakes that seem more clear through older, wiser eyes. Almodóvar explores themes of life, love, family, regret, and retribution, all through the lens of the classic mantra: ‘hindsight is…
By: Jessica Goddard In the delightful tradition of remaking films and gender swapping the leads – which no one is getting tired of at all – After the Wedding struggles to be convincing in its premise.
By: Trevor Chartrand Danish filmmaker/journalist Mads Brügger hits an incredible home run with his latest intense and heartbreaking documentary, Cold Case Hammarskjöld. The film sets out to explore a fifty-year-old unsolved mystery, which is intriguing enough, only to end up unravelling a much larger, gut-churningly appalling conspiracy.
Just as a thoughtful retirement video or an in memoriam can do, Avi Belkin’s well produced outside-the-box doc Mike Wallace Is Here encapsulates its subject’s career and tells a personal story through archival footage.
By: Jolie Featherstone Maiden opens in the middle of a cold and unforgiving ocean. Waves as tall as houses tumble and crash. A preternaturally calm voice is heard over the roar: “the ocean is always trying to kill you.” The roar continues. A storm brews in the increasingly agitated sky. “It doesn’t take a break.”
Toni Morrison: The Pieces I Am is an efficient documentary, even if it’s as standard as biopic docs get.
By: Trevor Chartrand In Dogman, a mild-mannered dog groomer named Marcello (Marcello Fonte) struggles to make ends meet in his Italian slum. He gets by in his community, which is populated by a variety of small-time crooks, by dealing cocaine to support his ex-wife and their daughter. After standing up to a notorious citizen however, the former boxer and town bully Simoncino (Edoardo Pesce), Marcello loses the respect of his neighbors and is forced to…
Pavarotti is a celebration of Luciano Pavarotti’s career and his achievements as a legendary opera singer and performer. Ron Howard’s documentary is jovial, just as Pavarotti was known to be. As someone who had limited knowledge of the timeless tenor, I walked away from Howard’s enlightening documentary with a new appreciation for music.
If you prefer science fiction to be grim, perhaps Pella Kågerman and Hugo Lilja’s Aniara will be your “thing”. Although I can’t comment on the film’s faithfulness to its source material (Harry Martinson’s Nobel prize winning poem of the same name), Aniara is very good in terms of riveting near-future sci-fi, but it’s definitely for a specific crowd.
The White Crow, written by Oscar nominee David Hare (The Reader) and directed by Harry Potter actor Ralph Fiennes, goes against the usual conventions of a biopic.