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Universal Language

Canadian filmmaker Matthew Rankin (The Twentieth Century) wraps his latest feature, Universal Language, in his admiration for fellow auteur Guy Maddin.  Described in the press notes as an “autobiographical fever dream”, and much like Maddin’s My Winnipeg, Universal Language pitches an absurdist vision of Winnipeg from different embellished perspectives – some of these stories work better than others. Universal Language peaks early on with a fine-tuned comedy featuring eccentric gradeschoolers, their disappointed French teacher (Mani…

Reviews

Felix and the Treasure of Morgäa

For the first 20 minutes or so, I was really enjoying Nicola Lemay’s Canadian family film Felix and the Treasure of Morgäa.  The animation popped off the screen, the writing and visual gags were amusing, and the story was nesting in a promising adventure-fantasy element.  Even the obligatory cute animals were making me laugh.  I was excited to finally have an animated children’s movie ready to recommend to families.

Reviews

Nadia, Butterfly

Pascal Plante’s Nadia, Butterfly eerily takes place at the now-cancelled 2020 Tokyo Olympics, and follows a French Canadian Olympian swimmer as she participates in her final event as a professional athlete.  Lovingly directed yet glacially paced, Nadia, Butterfly boasts some excellent performances and cinematography, but struggles to overcome its vague characterizations and meandering screenplay.

Reviews

Ghost Town Anthology

The work I’ve seen from French-Canadian filmmaker Denis Côté all involve the subject of lost souls.  Carcasses was a pseudo-doc about a lonely scrapyard owner who is suddenly interrupted by a gang of wanderers, and Curling followed the faded relationship between a father and his daughter in the wake of a tragedy.