By: Trevor Chartrand Donkeyhead is the first feature film from writer/director Agam Darshi, who has extensive credits both in front of and behind the camera. Her film focuses on Mona (played by Darshi herself), the least-successful sibling among the four brothers and sisters in her family. As a failed writer, she is the only one among them who still lives at home, aimless in her pursuits with no job and no prospects. Instead of pursuing…
By: Trevor Chartrand Documentary filmmaker Ilinca Calugareanu takes on a recent New York controversy in A Cops and Robbers Story; which focuses on former NYPD chief Corey Pegues. A vocal advocate against police brutality and racism, Pegues was the centre of a media swarm following a recent confession of his darker past.
The most interesting thing about Marionette is the question it made me ask myself: if a generic movie is a functioning entry in its genre, should it receive a passing grade? I had just given Netflix’s bombastic blockbuster Red Notice a recommendation because of this same grading method. So, what’s preventing me from doing the same with Marionette?
By: Trevor Chartrand See For Me, directed by Randall Okita (The Lockpicker), is an engaging thriller that’s sort-of a reverse Don’t Breathe. In both films, a blind person fends off would-be home invaders – but in Okita’s movie, our visually-impaired lead character is not a sadistic sociopath – she’s (mostly) a good person.
Lowell High School is the top-ranked public high school in San Francisco. In a world where everyone is a straight-A student, Lowell seniors are stressed out, scrambling to secure places in the country’s top universities and balancing overwhelming pressure from their families and communities.
Not very often do audiences receive a biopic as pointless and embarrassing as Creation Stories. Then again, the filmmaker could still benefit from a turkey like this. If they believe their biopic holds valuable nostalgia or fan service, ham-fisted qualities can be forgiven by movie goers, allowing the movie to even win Oscars. It worked for Bohemian Rhapsody.
Senior Moment is an unflattering example of what producers and filmmakers believe will connect with an older demographic. It’s twee and fairly clean, stars familiar and likeable faces, and the plot uses a failsafe story of a has-been getting back on the saddle. While this formula can hit its stride (Book Club, starring Diane Keaton, being a recent favourite), it can also shamelessly pander towards its audience (And So It Goes, another Keaton vehicle). Perhaps if…
Strong performances and intimate cinematography elevate an otherwise so-so drama in writer/director Kerem Sanga’s The Violent Heart.
By: Trevor Chartrand Director Wendy Morgan has made an interesting and thought-provoking film with her drama Sugar Daddy. The movie features the story of Darren, an aspiring musician who joins a paid dating service to make ends meet until her music career takes off. While acting as arm candy for wealthy older guys at high society functions is by no means prostitution, Darren struggles with her own self-worth and the moral implications of selling herself…
