By: Trevor Chartrand Boots Riley’s directorial debut is undoubtedly a memorable satiric comedy, despite being uneven in some places. Sorry to Bother You is a tad ambitious – with plenty of high-concept ideas crammed into its runtime, the overall pacing and consistency of the film suffers a bit as a result. But then again, it’s nice to see a film with too much to say, rather than something so vapid that it says nothing.
Death Note is a good movie, but it would’ve made a great miniseries. Netflix’s fast-track adaptation of Tsugumi Ôba’s popular manga series is light on characterization, with a troublesome lack of introduction by screenwriters Jeremy Slater (The Lazarus Effect), Charley Parlapanides and Vlas Parlapanides (the Parlapanides’ wrote Immortals).