The melodic title of Robin Hays’ Anthem of a Teenage Prophet suggests, at the very least, a kind of experimental approach to tragedy and trauma. Instead, this adaptation of Joanne Proulx’s award-winning novel Anthem of a Reluctant Prophet is surprisingly familiar; replete with the traditional rebellious drug-fueled angst we’ve come to expect from cinematic representations of teenage life in the suburbs.
By: Jessica Goddard Campy, far-fetched, but generally fun, Tate Taylor’s Ma is a passable thriller made watchable by Octavia Spencer’s casting.
In their essay “Cinema-Ideology-Criticism”, Jean-Luc Comolli and Jean Paul Narboni speak of a category of cinema which is politically progressive in content, but whose politics can be discounted due to the generic and status quo supporting form. This category is exemplified in Nerve, a film which, just like your friend who speaks about how others “don’t understand”, manages to talk for 96 minutes without ever actually saying anything.
By: Addison Wylie As far as films with an ensemble cast go, August: Osage County is among the best. Its star studded line-up filled out by Meryl Streep, Julia Roberts, Ewan McGregor, Chris Cooper, Juliette Lewis (just to name a few) is enough to get movie goers in seats. What pays off even more are the exceptional performances during the constant sparring between these highly dysfunctional family members. The Westons have a large family and…