John Cena

Reviews

Freelance

The swashbuckling comedic action-adventure sub-genre featuring a macho man saving a high-profile damsel in distress seems like a dated idea.  It’s possible for filmmakers and storytellers to modernize this premise (The Lost City as a recent example), but to leave this two-dimensional dynamic at its infant stages for most of the movie feels like a no-win risk.  If this is generally agreed upon, then pardon me for the switcheroo: I had a lot of fun with…

Reviews

Dolittle

Dolittle is a wildly incompetent movie showcasing a battle for the crown to be the film’s silliest performer.  So, who wins?  Well, I’m afraid, it’s a 20-way tie shared between scenery-chewing in-person performers and aloof voice actors.

Reviews

The Wall

Set in 2007, after the official end of the Iraq war had been announced, The Wall follows two American soldiers who investigate the area where civilian workers were attacked during the construction of an oil pipeline.  The soldiers find themselves pinned behind a crumbling wall by an enemy sniper and struggling for survival.

Reviews

Trainwreck

By: Addison Wylie Trainwreck is much more than a vehicle for rising comedic star Amy Schumer.  It’s easily Judd Apatow’s strongest work as a filmmaker, evidence that Schumer’s honesty flows through her long form screenwriting, and the best romantic comedy this critic has seen since 2008’s criminally underrated Definitely, Maybe. Definitely, Maybe is a standard sort of rom-com, where Trainwreck sends home the same type of charm but also reflects contemporary pessimism towards romance.  It…