Interview

Reviews

Wylie Writes’ One-On-One with Jutta Brendemühl

The primary of objective of Goethe Films is to bring German cinema and television to Canadian audiences.  Though the series is known for showcasing contemporary art house film, the selection this October is of a slightly different flavour.  On October 4th, Goethe Films will host the exclusive Canadian premiere of Bad Banks, a co-produced German-Luxembourgish mini-series.  I had to opportunity to chat with Jutta Brendemühl, curator of the Goethe Films series, about Bad Banks, and…

One-on-Ones

Wylie Writes’ One-On-One with Sook-Yin Lee

Sook-Yin Lee is currently mystifying Toronto movie goers with her long-awaited return to feature-length filmmaking.  Octavio is Dead! gradually reels us in with a dream-like allure as we observe Tyler (Sarah Gadon) rediscover herself through the death of her absent father (Raoul Max Trujillo).  From there, Lee strings her audience on a winding narrative that consistently maintains a personal intimacy throughout its run.

One-on-Ones

Wylie Writes’ Two-On-One with Kevin Sorbo and Sam Sorbo

Let There Be Light, a directorial feature debut from Hercules’ Kevin Sorbo, is the latest entry in the faith-based sub-genre.  This Christian family film has been a passion project of Sorbo’s, with an added bonus of being able to work closely with his wife, Sam (who co-wrote the script with The Hurricane’s Dan Gordon).  While mirroring certain details of God’s Not Dead (another devout drama Kevin Sorbo starred in as a similar atheist), Let There Be Light gives audiences…

One-on-Ones

Wylie Writes’ One-On-One with Joyce Wong

By: Jessica Goddard Wexford Plaza was one of the best films of 2017, and it was also a finalist for the Toronto Film Critic Association’s award for Best Canadian Film.  As the film celebrates its home release on digital platforms, I reached out to writer/director Joyce Wong to ask about her feature debut, its universal story, and her personal connection to the film.

One-on-Ones

Wylie Writes’ Tight Fifteen with Michael Haneke

In the mid-2000’s, a copy of Caché in a Rogers Video would be my introduction to the works of Michael Haneke, and what an introduction it was.  I had heard of a shocking moment in Caché, and I was still unprepared for it.  A decade later, I had seen every feature that Haneke had made, always salivating for the next.  This is why it was such a shock to me when I was told that,…

One-on-Ones

Wylie Writes’ One-On-One with Bob Saget

To perform stand-up comedy takes skill, and it’s a developmental process specific to each comedian until they find their own individual presence.  For some comics, however, the experimental process becomes their career – always finding ways to deliver jokes and stories while keeping listeners on their toes.  Bob Saget certainly falls into this category.  Being professionally experimental is what makes Saget’s comedy work.