Charlie, a queer millennial in New York, is looking for love. His modest expectations are reasonable, yet the mission proves to be a constant bust throughout the course of Prom King, 2010. Charlie chats with friends, family, and other acquaintances within his community (mostly for catharsis or assistance), but these conversations lead to opinions – sometimes closed-minded views – about love, Charlie’s sexual orientation, and dating etiquette.
Is there an animated .GIF that sufficiently portrays your facial expression when you are made aware that you and your twin sibling are dating the same person?
Out of all the stories and characters in Miles, writer/director Nathan Adloff picks the weakest ones to carry his semi-autobiographical indie.
If anything says “fun long weekend at a sunny lake house,” it’s deliberately creating awkward tension with your friends.
There are different ways for a writer to tell a story while tapping into their own personal catharsis. Chris Kelly (co-writer of Saturday Night Live and Broad City making his feature filmmaking debut) has found a vessel in Other People to tell his own semi-autobiographical story by re-capturing snapshots of his ailing mother’s final months.
Unsimulated sex and its utilization in film is a continuing debate between movie aficionados on whether the uncensored acts add to a story or the general moviegoing experience. French filmmakers Olivier Ducastel and Jacques Martineau create a controversial – yet very convincing – argument towards the issue in their minimalist drama Paris 05:59: Theo & Hugo.
Addison Wylie 2015 was a great year for movies, and I hope returning readers will see those results on the lists below. However, I understand if my favourites at the tip of the iceberg aren’t surprising – they haven’t changed since the mid-year report. A couple of excellent documentaries, and an army of dogs set the bar astronomically high. On another note, I hope people will consider checking out the films that flesh out the…
Addison Wylie We’re halfway through the year, and I’m confident movies are “back on track”. 2014 had some admirable features, but it seemed like everyone collectively decided to focus on technical achievements. As far as award darlings are concerned, our minds have yet to be blown by this year’s selections. However, 2015 has given movie goers wonderful experiences. Killers made me feel queasy, but in a good way. Its story about two serial murderers was…
By: Shannon Page One of the great things about film festivals is their potential to showcase and foster emerging talent. The Toronto Inside Out LGBT Film Festival’s Local Heroes short film screening is aimed at drawing attention and giving space to local filmmakers. It’s a space where audiences can see what is being created in their own back yards, and where beginning filmmakers have the opportunity to see their work screened alongside more established artists….
Sand Dollars (DIR. Israel Cárdenas, Laura Amelia Guzmán) By: Shannon Page Like the Dominican Republic of its setting, Sand Dollars is both ugly and beautiful; it is complex and often overwhelming in its starkness, yet showcases a landscape that most would equate with paradise. Written and directed by Israel Cárdenas and Laura Amelia Guzmán, Sand Dollars stars Geraldine Chaplin (daughter of the legendary Charlie Chaplin) as an aging European woman who falls in love with a much…