When I reviewed a sci-fi flick named Ashgrove at this year’s Canadian Film Fest, I sensed that it was a different type of movie for its director Jeremy Lalonde.  It was significantly more dramatic than his previous work, which have either been ensemble comedies (Sex After Kids, How to Plan an Orgy in a Small Town) or high-concept projects (The Go-Getters, James vs. His Future Self), and I felt like he was challenging himself as a storyteller to look…