Hugh Jackman

Reviews

The Son

To say Florian Zeller’s The Son isn’t as successful as his 2020 Academy Award winner The Father would be an understatement.  While it’s a mediocre family drama, it doesn’t resonate nearly as much as its predecessor did because of how narratively basic and emotionally broad it is.

Reviews

Missing Link

By: Trevor Chartrand Animation studio Laika Entertainment has a reputation for dark and brooding content with releases like Corpse Bride (2005) or Coraline (2009), but this year’s Missing Link breaks their mold as a fun-for-most-ages adventure story.

Reviews

Movie 43

By: Addison Wylie Movie 43 is an anthology film with a stacked cast. It’s been pushing its alleged “audacity” and “outrageousness” in order to get YOU in that theatre seat. However, there is something to be said about how much the marketing has pushed that angle in our faces. When a movie is urging moviegoers to focus on an element about the movie (in this case, its sheer outlandishness) instead of the actual movie itself…

Reviews

Les Misérables

By: Addison Wylie Tom Hooper wowed audiences with The King’s Speech. Well, most audiences – I thought it was inspirational but ordinary, with stylistic cinematography that overshadowed many elements of the story. Nonetheless, his film won multiple Oscars; including Best Picture. He may follow suit with his adaptation of Les Misérables; in both the award garnering sense and the cinematography sense. Hooper has brought his shooting style to his latest feature following Jean Valjean (played…