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4/20 Massacre

The rousingly titled 4/20 Massacre attempts to cash in on the “unofficial holiday” with blood, guts, slasher horror, and mounds of marijuana.  In fact, a case can be made that the film may have been too eager to hit screens – the distributor couldn’t wait to release this film on Friday, April 20 apparently.  No worries for me though;  I wanted an excitable movie to entertain me.  However, 4/20 Massacre amounts to a major buzzkill.

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Hell’s Kitty

Hell’s Kitty, a film that has been assembled from a web series of the same name conceived by writer/director Nicholas Tana, makes for an amusing in-joke for horror hounds.  The cameos alone from iconic character actors are enough to make those fans beam.  For instance, The Hills Have Eyes’ Michael Berryman appears as a testy detective, while Heir’s Bill Oberst Jr. and The Shape of Water’s Doug Jones star as a devout duo who attempt to exorcize…

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Strawberry Flavored Plastic

Strawberry Flavored Plastic combines elements of found-footage horror and mockumentary to create a story about two documentarians (Nicholas Urda, Andreas Montejo) making a movie about a serial killer, Noel Rose (Aidan Bristow).  With testimonials, first-person video, and video conferencing, the audience learns how this “film” slips out from underneath its makers and how it goes awry.

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Friend Request

Horror fodder like Friend Request tends to be dismissed based on its timely nature, which is really too bad.  These digital age thrillers may borrow from other formulas (or other movies), but they certainly are not derivative.  In the case of Friend Request, it owes a debt of gratitude to fellow social media flick Unfriended, but it fuses its modern premise of cyberstalking with revered lore and finds a good balance between “old” and “new”…

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Friends Don’t Let Friends

By: Nick van Dinther There are so many wonderful and creative upstart filmmakers putting out fantastic work.  Whether they’re film students or people with a true passion for the industry, they do their best to fund an idea, bring it to life, and share it with the world.  When they decide to release the project for profit however, it needs to meet a certain standard.  Brownwell Entertainment’s Friends Don’t Let Friends, a horror/thriller about covering…