James vs. His Future Self (DIR. Jeremy LaLonde) Jeremy LaLonde’s recent movies have truly owned their genre in a unique way. The Go-Getters was a gleefully foul play on the traditional buddy formula, and How to Plan an Orgy in a Small Town was a charming sex comedy. With James vs. His Future Self, LaLonde takes a swing at crossing science fiction with a romance – it’s a sweet success.
The Odd Family: Zombie on Sale (DIR. Lee Min-jae) The zombie genre has always managed to survive because zombies, as a monster, are wholly dependent on the zeitgeist of the time. Since they are brainless creatures, their existence can generally be justified by the anxieties of the time (military industrial complex, consumerism, conformity, racism, etc.). While that is an advantage to sub-genre, most zombie films follow the same template. The Odd Family: Zombie on Sale is no…
The intersection of comedy and thriller do not often mix well, especially in survivalist narratives. But Harpoon, even with its familiar survivalist tropes on display, evenly balances the two in an intense, frequently unpleasant, but endlessly watchable nightmare-at-sea.
Primal Rage is a creature feature, but it’s light on what the film is selling. For a special effects artist making his directorial debut, writer/director Patrick Magee often forgets about his film’s central beast.
Myths and urban legends are most effective in horror movies when filmmakers stick with simplicity. It’s what makes most legendary villains in the genre resonate with audiences. The Curse of Buckout Road is a film that does the exact opposite, further proving why less is always more.
With The Witch, Robert Eggers showed the world that there were untold, new ways to tell horror stories. So, what can someone who has already reinvented a genre do as a follow up? Eggers decided to tell a new story based on the research of horrific authentic historical documents, and it works.
By: Jessica Goddard Scary Stories to Tell in the Dark is a halfway decent horror movie. However, those who grew up disconcertingly obsessed with the creepiness and morbidity of the anthologies this film is based on will be disappointed.
By: Jolie Featherstone “I forgot I was making a horror movie.”
Jordan Peele follows up his trailblazing, Oscar-winning debut Get Out with Us, a thriller that flips the script on Peele’s trademark storytelling. This time, the social commentary exists behind a creepy and tense home invasion flick.
Jim Jarmusch has been making films for almost forty years. Despite such a prolific career, his bad works can be counted on one hand. This is a direct result of knowing his audience and knowing exactly what it is that they want. This streak continues with his latest feature, The Dead Don’t Die, a zombie horror-comedy which takes on American consumption without ever taking itself too seriously; after all, that film was made about forty…