Last Call pitches itself to audiences with an intriguing gimmick. Shot in real time, the film’s story is told from two perspectives – using a split-screen technique to divide the pair of one-take shots. However, Last Call is more than a crafty production with a trick up its sleeve.
The arrival of Dead Rush’s world premiere at this year’s Canadian Film Fest came at a coincidental time. On April 8, Ilya Naishuller’s Hardcore Henry hits theatres. Both films are very good genre flicks that position the viewer in the lead character’s perspective. As far as which film has a cleaner landing though, Dead Rush has the edge.
By: Addison Wylie With every review, I try to inject some insight as to how I felt while watching the movie. Sometimes, I use humour and metaphors to get my point across. Writing has allowed my voice to travel along some creative routes in order to express an opinion about the medium. There’s no feeling quite like finding a conscious flow to your thoughts. With Gavin Michael Booth’s The Scarehouse, I have nothing interesting to…