By: Addison Wylie If you’re like me, you’ve been waiting for filmmaker Michel Gondry to wow you after his messy miscalculation known as The Green Hornet. In Gondry’s defence, The Green Hornet played as a film where its “it” star and successful producers had more creative control than its masterful director. Gondry’s visions work better when he’s given a fair bit of leeway and trust, and The Green Hornet didn’t allow this for the Oscar…
By: Addison Wylie Horror movies usually guarantee fun at the movie theatre. Whether the quality of the movie is good or not, experiencing an eerie and tense film with a group of mostly strangers – who hopefully aren’t too gabby – is a riot. Everyone is witnessing the disturbing visuals and the scares for the first time making the overall vibe very exciting and relentlessly uneasy. However, some horrors have a hard time making that…
By: Addison Wylie Set against a bluegrass backdrop, Ellis and his best friend Neckbone (both played exceptionally by Tye Sheridan and Jacob Lofland) scavenge through their surroundings to help a wayward, disheveled man named Mud find tools to rescue a tattered boat from out of a towering tree. As they travel back to the island where Mud (played by a striking Matthew McConaughey) roams and hides, the three work together to carry out this seemingly…
By: Addison Wylie Baz Luhrmann’s flashy adaptation of F. Scott Fitzgerald’s 1925 novel The Great Gatsby is a “production” in every sense of the word – as many of us expect it to be. In fact, the film evoked the same reaction I had when I watched Luhrmann’s much loved Oscar winner Moulin Rouge! in 2001. Judging from these two examples, I find Baz Luhrmann likes to scream and shout during the first thirty minutes or…
By: Addison Wylie Shawn Linden’s The Good Lie is good looking and straightforward with its premise that instantly hooks you. A normal high schooler named Cullen (played by Thomas Dekker) is devastated after being pulled out of class to find out his mother Doris (played by Julie LeBreton) has died in a car accident. He’s even more upset after learning he’s the product of a horrific rape. Furious and upset, Cullen sets out to find…
By: Addison Wylie With his latest feature film, writer/director Derek Cianfrance has already made his Magnolia with The Place Beyond the Pines, an excellent and expansive drama intertwining complex characters and haunting pasts with a twist of fate. This is, without a doubt, a step in the right direction for Cianfrance who made a name for himself rather quickly with 2010’s Blue Valentine. I was a fan of the tightly wound performances in Blue Valentine,…
By: Addison Wylie Now that this year’s Hot Docs coverage has come to an end, it’s time to introduce my new video segment to you all. Does It Float? will have me revisiting films I gave positive reviews to and seeing if they hold up on a second viewing. Sometimes, a film can be heightened by the experience or with a certain type of crowd. With Does It Float?, I plan to give you both sides of…
By: Addison Wylie I could say that Sam Raimi’s OZ: The Great and Powerful puts the ‘Z’ in OZ because of how sluggish and boring it is, but that wouldn’t make for much of a review. Instead, OZ: The Great and Powerful can be compared to Tim Burton’s Alice in Wonderland, another big budget fairy tale that shares the same strengths and weaknesses as OZ. Like Tim Burton’s hit, Raimi’s family film is far more interesting…
By: Addison Wylie For audiences needing a psychological horror fix, Derek Franson’s Comforting Skin may do just the trick. It certainly did for me. It’s a film that starts unsteadily as our main lead is introduced to us. Koffie (yes, that’s her name, and she’s played terrifically by Victoria Bidewell) is down and out and feeling as if no one wants anything to do with her. She’s dishevelled, has a past that hasn’t been bright,…
By: Addison Wylie First and foremost: Scary Movie 5 is not a funny movie. I know I usually state in my reviews that humour is subjective, but finding a joke or sight gag in Malcolm D. Lee’s comedy that could be deemed as hilarious or clever would be like sifting through the Pacific Ocean to find a sliver of gold. It’s a bizarre comedy that forces the audience to wonder about who thought these jokes…