The ReelAbilities Film Festival returns to Toronto on Wednesday, May 10 after a successful debut. The festival, centring around noble stories of disability cultures, will screen feature films and shorts around the city until Thursday, May 18.
The strengths in Streamer are very subtle and camouflaged by deliberate monotony.
Engineers (DIR. Tyler Williams) In a worn-down warehouse, three individuals tempt an experiment on a corpse. The result may be not exactly what they intended.
A murderer whose calling card is a scratched-down horror story; a couple goes trick or treating and it quickly gets out of hand; a family brings home a witch to burn at the stake; a group of gutter punks find an easier way to come by food; a pair of police officers have a shady side business.
Capture Kill Release begins in the middle of a devious plot: young lovers Jenn and Farhang (played by Jennifer Fraser and Farhang Ghajar) are toying with the idea of murdering a random person. Their intentions and motives are deliberately foggy, which makes the film’s fly-on-the-wall experience more unsettling, disturbing, and impossible to look away – this is not for the faint of heart.
Alexander Skarsgård (The Legend of Tarzan) and Michael Peña (Ant-Man) are two of New Mexico’s worst cops, yet they’re the kings of their castle in War on Everyone. Their delusion intimidates pedestrians and perps, and their shallowness makes their supervisor Lt. Gerry Stanton (Paul Reiser) confused and ultimately indifferent. However, their false royalty is disrupted when they’re overshadowed by a more diabolical threat, Lord James Mangan (Theo James of The Benefactor and the Divergent series).
Is there an animated .GIF that sufficiently portrays your facial expression when you are made aware that you and your twin sibling are dating the same person?
Out of all the stories and characters in Miles, writer/director Nathan Adloff picks the weakest ones to carry his semi-autobiographical indie.
There are different ways for a writer to tell a story while tapping into their own personal catharsis. Chris Kelly (co-writer of Saturday Night Live and Broad City making his feature filmmaking debut) has found a vessel in Other People to tell his own semi-autobiographical story by re-capturing snapshots of his ailing mother’s final months.
Unsimulated sex and its utilization in film is a continuing debate between movie aficionados on whether the uncensored acts add to a story or the general moviegoing experience. French filmmakers Olivier Ducastel and Jacques Martineau create a controversial – yet very convincing – argument towards the issue in their minimalist drama Paris 05:59: Theo & Hugo.