Pontypool is one of my favourite movies, even though I really dislike its post-credit sequence. It’s a random bit that looks like a deleted scene from Robert Rodriguez’s Sin City series, featuring obscure characters that we haven’t seen before exchanging hard-boiled dialogue – it’s moody nonsense. It makes as much sense as the entirety of Dreamland, a pseudo-fantasy-noir that has the gall to ride the coattails of Pontypool; squandering the reunion of its filmmakers and…
Color Out of Space is a supernatural invasion film that slowly creeps towards its characters and the audience.
It’s embarrassing to admit, but A Wizard’s Tale – a film intended for small children – took me a while to finish. The storytelling, so hyper. The humour, so random. And no matter how many times I rewatched pivotal parts, I was still left dumbfounded. When our heroes reached a kingdom of “balloon-people”, I knew I wasn’t losing it – the movie was.
Curiosity is a quality that keeps on giving. M. Night Shyamalan, for instance, is a filmmaker who is eager to explore his own craft. And while his back catalogue has included projects that have snowballed out of his own range, he’s at least owning his ambition and finding original stories to tell audiences. His latest collaborations with indie empire Blumhouse Productions have been great vehicles to anchor his passion projects and visual filmmaking. Such is…
There’s been a modest resurgence of oddball, family-friendly fantasies. We were reminded of it with Tim Burton’s Miss Peregrine’s Home for Peculiar Children, and now with Eli Roth’s The House with a Clock in Its Walls. While I’m more of a fan of how the former balanced all of its supernatural factors, I still really liked and admired Roth’s kooky flick about an uncle teaching his nephew the tricks of the trade to sorcery.
Using brilliantly ominous visuals and an amazingly unsettling musical score, Panos Cosmatos’ Mandy serves up a simple story that isn’t on the same level of competence as those technical achievements. Cage and Andrea Riseborough (The Death of Stalin) play Red and Mandy, a soft-spoken bohemian couple who are suddenly captured and tortured by a travelling crew of cultists. When his girlfriend is kidnapped and used as a pawn for a “special” ritual, Red has no other desire…
After touring the festival circuit and sweeping the hearts of many movie goers, Tulipani – Love, Honour and a Bicycle finally makes its way into theatres to claim more adoration from audiences.
Suicide Squad director David Ayer reunites with Will Smith to bring at-home audiences Bright, a Netflix Original action movie that blends “cop drama” and “buddy comedy” but exists in a fantasy amongst the mystical company of fairies and orcs.
By: Trevor Chartrand Guillermo del Toro’s The Shape of Water is a masterfully crafted modern-day fairy tale. An incredible, romanticized take on the creature feature, director/co-writer del Toro seamlessly combines genre and visual style to bring us this beautifully bizarre morality tale.
By: Nick van Dinther There are certain directors that have a specific style audiences can always identify – Quentin Tarantino, Wes Anderson, Tim Burton to name a few. Guillermo del Toro (The Devil’s Backbone, Pan’s Labyrinth) is surely a part of that crew. When it comes to The Shape of Water, del Toro’s style is out in full-force to bring us an unforgettable visual spectacle.