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Drama

Reviews

The Black Mass

By: Trevor Chartrand Readers, please note – if you’re not familiar with the serial killer Ted Bundy, The Black Mass will likely leave you feeling confused and alienated.  Then again, if you are familiar with Bundy and his capture, you’ll also feel just as confused and alienated…but probably disgusted as well.  By making this film, director Devanny Pinn has wasted the time of her crew, her cast, and anyone unfortunate enough to make the mistake…

Reviews

Spaceman

Spaceman can seem intimidating to Joe Schmore scrolling through Netflix new releases: the cool intergalactic setting seems limiting, Adam Sandler is flexing his most sombre acting chops yet, and is that a giant spider he’s talking to?  But when you boil the movie down to its basic fundamentals, Spaceman is not as challenging as one may think.  This drama, which is pretty good to boot, is easy to follow and empathize with.  This is, however,…

Reviews

Memory

Evoking the reflective nature of meditative character dramas like Pieces of a Woman and Trouble in the Garden, Memory roots itself in disturbing subject matter only to uncover beautiful and organic growth between two societal outsiders.

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Freud’s Last Session

Movie goers who have claimed big screen adaptations of stage plays are stilted may be ready to dismiss Freud’s Last Session, but I hope they give it a chance.  This two-hander between Academy Award winner Anthony Hopkins (as neurologist Sigmund Freud) and Matthew Goode (as British author C.S. Lewis) is riveting and reminds viewers about the power of great acting.

Reviews

The Sweet East

The Sweet East is a coming-of-age tale told by unreliable narrators (screenwriter Nick Pinkerton and director Sean Price Williams, making audacious feature debuts), and centred around a conceited anti-hero with a personality disorder. Your feelings towards that concept alone will reflect how you will react to the film itself. You can try giving it the benefit of the doubt if you’re already feeling irritated, but I’m afraid your efforts will all be for naught.

Reviews

Eileen

Thomasin McKenzie (Old) and Anne Hathaway (rebounding from She Came to Me) are conflicted cohorts in William Oldroyd’s Eileen, a low-key chiller that slowly draws in the viewer despite the film itself not being much of a mindblower.