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Drama

One-on-Ones

Wylie Writes’ One-On-One with Corey Stanton

Robbery is a solid drama that tells the compelling story of Frank (Art Hindle), a cerebral career criminal suffering from dementia.  When his son, Richie (Jeremy Ferdman), finds himself the target of a dangerous organization to whom he owes money, Frank must come out of retirement and use the remnants of his mind to save his son. I talked with writer/director Corey Stanton to see where this surprisingly unique story came from.

Reviews

Sometimes Always Never

Sometimes Always Never sets out to be quirky, but comes out dorky.  It takes pride in its uneven nuances, gushy sentimentality, and jokes about Scrabble.  What saves the mild-mannered movie to an extent, however, is how the awkwardness is (sort of) embraced through its humour.

Reviews

Last Call

Last Call pitches itself to audiences with an intriguing gimmick.  Shot in real time, the film’s story is told from two perspectives – using a split-screen technique to divide the pair of one-take shots.  However, Last Call is more than a crafty production with a trick up its sleeve.

Reviews

The Meaning of Life

The Meaning of Life walks and talks like a conventional weepy melodrama, but it’s much more than a typical tear-jerker.  This is a smart and sweet film that reads between the lines.  Instead of rattling off a familiar story about a friendly relationship that blooms between a struggling musician (Finn played by Canadian pop artist Tyler Shaw) and a young leukemia patient (Sophie played by Sadie Munroe of CBC’s Workin’ Moms’), The Meaning of Life…

Festival Coverage

TIFF 2019: ‘The Lighthouse’

With The Witch, Robert Eggers showed the world that there were untold, new ways to tell horror stories.  So, what can someone who has already reinvented a genre do as a follow up?  Eggers decided to tell a new story based on the research of horrific authentic historical documents, and it works.

Reviews

Roads in February

Directed and Written by Katherine Jerkovic, Roads in February is a beautifully shot and immersive film that explores the relationship between a young Hispanic Canadian named Sara (Arlen Aguayo-Stewart), and her grandmother (Gloria Demassi).