By: Addison Wylie Preceding an amicable exchange between ex-lovers, Andy Goodrich (Michael Keaton) is asked by his former wife Ann (Andie MacDowell) how he’s doing. “I’m okay,” Andy answers. “You’re always okay,” Ann teases. She isn’t wrong. Throughout Goodrich, the audience observes Andy doing okay. He occasionally has an awkward conversation that sometimes references his past as a flawed father but, otherwise, he’s a well-respected and levelheaded dude.
The assumption to presume there’s a personal connection between director Ellen Kuras and photographer Lee Miller, the subject of Kuras’ feature-length narrative debut Lee, isn’t that rash. An obvious interest for camerawork is shared between Kuras and Miller, and the passion for the craft may have also rubbed off on star Kate Winslet (who Kuras has worked with previously on Eternal Sunshine of the Spotless Mind and A Little Chaos, and is credited as an executive producer on Lee). …
Invoking comparisons to Mass and Our Friend, His Three Daughters may not be as good as those character-driven dramas, but it’s still a fantastic chamber piece that should spark award buzz around its stripped-down cast.
Caligula: The Ultimate Cut is deservedly being treated as an event. This restoration of the provocative 1980 swords-and-sandals historical drama is currently being screened in 4K Ultra High Definition at select theatres as part of an exclusive roadshow. The movie is the epitome of a re-imagining; a perfected cut that scraps all of the footage from the box office hit in exchange for a shot list of different angles and takes, as well as using…
Reagan is such a conservatively-made movie that it would almost be pointless to go after the film for its politics. Revered to most as the first conservative president of the United States of America, Ronald Reagan’s presidency was a touchstone of the 80’s and there’s no denying how deep his political influence ran afterwards.
By: Trevor Chartrand The notoriously quirky Jason Schwartzman (The Overnight) stars in Between the Temples as – brace yourself – an odd-ball character. Shocking, right? In all seriousness though, Nathan Silver’s offbeat film does ultimately prove to be a relatively serviceable, if tired, indie-style dramedy. To the movie’s credit, Silver explores an otherwise formulaic narrative with a character-focused vulnerability that truly enhances the material.
Close to You is stark with vulnerability, living within the vacuum of anxiety from the personal perspective of a trans man.
Levan Akin’s Crossing doesn’t take long to get going, but it takes a while for it to truly set in. Akin’s film, which he wrote and directed as well as co-edited, is about personal connections. As vague as that sounds, the concept explains itself as more characters intersect with each other.
Daddio looks like an effortless movie, which is its greatest strength. Some of this credit can be offered to its central stars, The High Note’s Dakota Johnson and Milk Academy Award winner Sean Penn, who are both working at the top of their games. But, it’s writer/director Christy Hall who deserves to be praised for her impeccably controlled feature film debut.
