Earlier this year, audiences witnessed Bruce Willis being a lazy actor in Precious Cargo – he talked on a cell phone and barely moved out of his seat. In Marauders, the action star is at least doing more with his role (hey, walking counts), but the film itself receives the same faint praise I halfheartedly awarded Precious Cargo in April.
For a career that spans nearly 5 decades, Brian De Palma’s style and subject as a filmmaker remains strikingly consistent. Unlike his New Hollywood contemporaries (Spielberg, Scorsese, Coppola), De Palma has never strayed far from his generic comfort zone.
Watching The Pasta Killer was a great experience. Not only did it reassure me of the power a great story can have over its audience, but it was nice to switch perspectives from a supportive friend to a fascinated movie goer.
Misconduct is a soap opera fuelled by star power. However, the film doesn’t aspire to anything more than cheap scandalous thrills.
Precious Cargo, a cheesy caper directed/co-written by Max Adams, is simultaneously occupying theatres and on Demand. It was also released a day after my birthday, which is fitting since it made me feel my age.
Bobby Sands: 66 Days (DIR. Brendan Byrne) By: Shannon Page Bobby Sands, a member of the Irish Republican Army, was only twenty-seven years old when he died in prison in 1981 after refusing food for 66 days. Sands was the first of ten IRA prisoners to die as the result of a hunger strike in protest of their status as regular criminals, as opposed to political prisoners.
Credit for Murder (DIR. Vladi Antonevicz) By: Shahbaz Khayambashi A video appears on YouTube which depicts the ritualistic slaughter of two men by masked individuals: one man is beheaded and the other is shot. The video appears to come from Russia. The Russian authorities say it is fake, until one man is identified after his father comes forward. This is the beginning of an unusual and captivating story about Russian neo-Nazis, recounted by a Jewish filmmaker…
