Mother’s Day
There are movies by Garry Marshall that are “very Garry Marshall”, and movies that are “sort of Garry Marshall”. Mother’s Day is – most definitely – “very Garry Marshall”.
There are movies by Garry Marshall that are “very Garry Marshall”, and movies that are “sort of Garry Marshall”. Mother’s Day is – most definitely – “very Garry Marshall”.
Producer/director Brian Stockton pulls a reverse Ghost World with The Sabbatical, a low-key comedy where the older eccentric follows a current generation through a younger artist.
When I had an interest in reviewing Toronah, filmmaker and Wild Wing founder Rick Smiciklas insisted I watch a season of his reality TV show Wingmen before jumping into his feature film debut. I agreed, and watched the first season on iTunes (which I liked despite its forgetful narrative).
About Scout could’ve gone in the wrong direction, but it doesn’t. Despite following a “to do” list of quirky indie things with precocious characters who have been schooled by Juno Technical Institute, there’s a consistent sincerity that never failed to smitten.
At times, it feels like the filmmakers behind Coconut Hero had a genre grocery list handy and were checking off various requirements for their film. A lovable misfit from a small town? Check. Well-meaning parents who are frustrated with their incomprehensible social-outcast offspring? Check.
Before Blue Mountain State: The Rise of Thadland, Blue Mountain State was a thing – a considerably big thing. I admit, I had no idea. To my understanding: Blue Mountain State was a television show that aired on the Spike Network for three seasons. When the prospects of a film spin-off were mentioned via Kickstarter, 23,999 fans swarmed the campaign and raised $1,911,827. Blue Mountain State: The Rise of Thadland deals gratitude towards its fan base…
The girlfriend dramedy Miss You Already is a fitting follow-up for Thirteen filmmaker Catherine Hardwicke. It just so happens to arrive late in her career after Lords of Dogtown, The Nativity Story, Twilight, and Red Riding Hood.
Robert Carlyle has proven to be an astonishing actor from his memorable work in The Full Monty, Trainspotting, and California Solo. Though The Legend of Barney Thomson allows the actor to return to his Trainspotting-esque wildness, it’s unfortunate that his first attempt at directing a feature film isn’t quite so flawless.
Portrait of a Serial Monogamist, so far, is the best Canadian indie of the new year. Filmmakers John Mitchell and Christina Zeidler have co-wrote and co-directed an identifiable and balanced film about stalled romance.
What an Idiot brings me déjà vu. Or, to keep in touch with the film’s awful sense of humour, gayjà vu.