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Blood in the Snow

Festival Coverage

Blood in the Snow 2017: ‘Art of Obsession’

By: Trevor Chartrand As a film that explores the creative process, Ryan M. Andrews’ Art of Obsession fails to bring much originality to the table.  This slow-paced, predictable little story takes itself too seriously, grasping aimlessly at faux-philosophical musings all along the way.  The film is an unfortunate mix of unconvincing plot, passionless performances, and a non-existent visual style.  It’s the kind of film I can still enjoy, however with a more ironic appreciation than…

Festival Coverage

Blood in the Snow 2017: ‘Fake Blood’

Collaborating filmmakers Rob Grant and Mike Kovac receive a tape from an alleged fan mimicking a disturbing scene from their crime comedy Mon Ami.  Rob and Grant, immediately feeling guilty about inspiring a movie goer in the wrong way, reflect on cinematic violence and compare it to real-life acts of assault.  It’s a personal insightful adventure that leads them down an unpredictable rabbit hole.

Festival Coverage

Blood in the Snow 2017: ‘Darken’

In 2014, at the Blood in the Snow Film Festival, I had rather exciting things to say about director Audrey Cummings.  The film she screened was her feature film debut, Berkshire County, and while it treaded common ground, she at least showed enough awareness to spin clichés into something new.

Festival Coverage

Blood in the Snow 2017: ‘Once Upon a Time at Christmas’

By: Trevor Chartrand While the concept of a homicidal Santa Claus has certainly been explored in slasher films like Santa’s Slay and Silent Night, Deadly Night, director Paul Tanter has found a surprisingly fresh approach to the ‘Killer Claus’ trope in Once Upon a Time at Christmas.  This fun and festive Canadian B-movie will give viewers a reason to keep the Christmas lights on overnight.

Festival Coverage

Blood in the Snow 2017: ‘Kill Order’

By: Trevor Chartrand Kill Order is essentially a Crank film without the charisma or charm.  It tries hard to be pulse-pounding and slick, but this punch-a-minute action flick is all fist and no fury.  Given the film’s structure, it’s not surprising to learn writer/director James Mark has a lot of stunt department work on his resume, including action-driven films like Jumper and Pacific Rim.  Kill Order favours style over substance, desperately stringing a series of…

Festival Coverage

Blood in the Snow 2016: ‘Capture Kill Release’

Capture Kill Release begins in the middle of a devious plot: young lovers Jenn and Farhang (played by Jennifer Fraser and Farhang Ghajar) are toying with the idea of murdering a random person.  Their intentions and motives are deliberately foggy, which makes the film’s fly-on-the-wall experience more unsettling, disturbing, and impossible to look away – this is not for the faint of heart.

Festival Coverage

Blood in the Snow 2015: ‘The Dark Stranger’

By: Mark Barber Chris Trebilcock’s The Dark Stranger understands that the power of horror is derived in part not from its tonal seriousness but from its ability to confront the issues in ways that are creatively charged.  Taking on the issue of depression, The Dark Stranger might take some flak for what at times feels like a facile exploration of depression.  However, Trebilcock deserves praise for creatively literalizing the demons we face as a means…