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Alison Pill

Reviews

Young Werther

Young Werther is a witless comedy, which is awkward considering the production deems itself as a slick flick. While I can’t comment on whether Jose Lourenço’s feature-length filmmaking debut is faithful to its source material (the 1774 novel “The Sorrows of Young Werther” by Johann Wolfgang Goethe), I can relay to my readers what Young Werther reminded me of. Werther (Douglas Booth of Netflix’s The Dirt), someone who considers himself  to be a noble cosmopolitan and…

Reviews

All My Puny Sorrows

All My Puny Sorrows, directed by One Week’s Michael McGowan, is cut from similar cloth as last year’s outstanding, sad drama Our Friend.  Carried by a small yet mighty cast who are all approaching sensitive material under the guidance of a cautious filmmaker, All My Puny Sorrows tracks how deep mental illness can run within a family’s dynamic, and how it affects its members.

Reviews

Goon: Last of the Enforcers

Goon: Last of the Enforcers arrives five years after the surprise hit Goon, and it’s as if the audience never left these characters.  Even though the film is working under a different director (Jay Baruchel taking over for Michael Dowse), this sequel makes sure it stays within the same surly vein as its delightfully crude predecessor.

Reviews

Goon: Last of the Enforcers

The original Goon (2011) was a special thing: an indie sports-comedy that was funny without being over-the-top, and heartfelt without being outright cheesy.  It was also indisputably Canadian without relying on stereotypes or clichés.  The film made the audience care about Doug (Seann William Scott), a dim-witted but kind bouncer from Massachusetts who uses his better-than-average brawling skills to become a professional enforcer for a minor-league hockey team in Halifax.  We were invested in his…

Reviews

Cooties

By: Addison Wylie Cooties hits theatres and VOD at a fantastic time. Jonathan Milott and Cary Murnion’s skittish dark comedy/horror works as great escapism for a post-secondary crowd already dreading more responsibilities, and it’s an entertaining essential for future Halloweens. Scream Queens co-writer Ian Brennan and SAW co-creator Leigh Whannell have teamed up to make a subversive, gory lil’ number featuring self-centred teachers seeking safety after a virus unleashes itself onto children through batches of skunked…