Will Patton and Mark O’Brien play a father and son on the run in Hammer, a sophomore feature from writer/director Christian Sparkes (Cast No Shadow). It’s Breaking Bad meets Beautiful Boy.
Pontypool is one of my favourite movies, even though I really dislike its post-credit sequence. It’s a random bit that looks like a deleted scene from Robert Rodriguez’s Sin City series, featuring obscure characters that we haven’t seen before exchanging hard-boiled dialogue – it’s moody nonsense. It makes as much sense as the entirety of Dreamland, a pseudo-fantasy-noir that has the gall to ride the coattails of Pontypool; squandering the reunion of its filmmakers and…
Kevin Hearn, keyboardist for The Barenaked Ladies and an avid art collector, accidentally opened a can of worms by purchasing a painting by late indigenous artist Norval Morrisseau. During an exhibit of Hearn’s curated pieces at the Art Gallery of Ontario, his Morrisseau was proven to be bogus. This pivotal event (which also led to a lengthy court case) pulled a thread, unravelling conflicting opinions surrounding a remarkable mystery behind Morrisseau’s work.
Hellmington centres on Detective Samantha Woodhouse, distressed over the recent death of her father and tormented by a forgotten yet mysterious case of the disappearance of a former high school classmate. In order to piece together the puzzle of the latter, Samantha reconnects with her past while she’s in town for the funeral; including meeting old acquaintances and people who were close to her late dad.
Acquainted is the type of indie that wants to say something profound about romance. Little does writer/director Natty Zavitz know, dozens of other movies have beat him to the punch.
An Audience of Chairs isn’t just one movie. This new film from Deanne Foley (Relative Happiness) based on Joan Clark’s novel of the same name appears to be a sombre Canadian drama that you prepare for by stuffing your pockets full of tissue. While it is a tear-jerker, it’s also a character drama, a romance, and a message film. And, surprisingly enough, Foley pulls off this trifecta.
After touring the festival circuit and sweeping the hearts of many movie goers, Tulipani – Love, Honour and a Bicycle finally makes its way into theatres to claim more adoration from audiences.
At first glance, Across the Line is a common film that exposes a type of impressionable racial discrimination filmmakers have acknowledged before. This time, the devastation hits close to home (Nova Scotia) and allows a breakout director to handle the heavy material in a different way that doesn’t dance around the aftermath.
By: Addison Wylie Life With Derek’s Michael Seater gets his directorial feet wet with the ensemble dramedy People Hold On. It’s a good place for the budding filmmaker to start. The film itself is contained within few environments and doesn’t call for visual tricks, which leaves Seater a lot of time to draw characters and connect with his tight-knit cast. The filmmaker must’ve also felt another level of comfort and confidence knowing co-star Paula Brancati – whom…