Nice People is a very timely film. In our current state of mass migration of Arabic and African refugees to European countries and the right-wing propaganda that follows such events, it is important for audiences to get a view of the conditions of these people. The fact that Nice People’s view is all wrapped up in a feel-good narrative about a happy-go-lucky sports team is just a smart strategy from documentarians Karin af Klintberg and Anders…
Unlucky Stars is exactly the movie you expect from filmmakers with backgrounds in stunt work.
Young Nathan (Asa Butterfield) has issues interacting with people. Diagnosed as on the autistic spectrum (with a little bit of synesthesia), Nathan much prefers patterns and numbers – making him a wiz at mathematics. He shared a special connection with his father, but after dad perished in a vehicular collision, Nathan withdrew even further, and burrowed deeper into mathematics. His mother (Sally Hawkins), unable to connect with her son, signed him up for personal advanced…
The ReFrame Film Festival couldn’t wait to begin. On Thursday, January 28, the festival held an exclusive sold-out Ontario premiere of Anne Troake’s OutSideIn, an experimental 3D film that featured choreography in its rawest form from two partially nude performers (Carol Prieur and Bill Coleman).
The sad state of the parody film is reflected in Fifty Shades of Black, the latest from A Haunted House director Michael Tiddes and Scary Movie alumnus Marlon Wayans. A spoof of the Fifty Shades of Grey film released last year, Fifty Shades of Black relies mostly on an inventory of aged pop culture references and unfunny scatological humour rather than interrogating the problems with its source material.
Late last year, Canadian indie Toronah snuck into a single theatre in the titled city. The film piqued my curiosity, and I did some more research. I ended up missing out on the film, but I began a dialogue with the film’s director Rick Smiciklas. When I mentioned that I was interested in reviewing his film, Smiciklas suggested that a reality show titled Wingmen would act as a good introduction to Toronah since key players crossover.
Most of what Yoav and Doron Paz offer movie goers in their horror film JeruZalem feels re-gifted. We’ve seen this sort of panicked science fiction in films before – from tent-pole thrillers like Cloverfield to foreign imports like [REC]. While that may sound like the “jaded critic” side transforming me as one of the film’s demons would, I feel like I have a legitimate argument.
The Orange Man is voluntarily uneven. After presenting itself as slasher horror, the film has a change of heart and decides to be a break-up comedy for bros, and then flip-flops some more. It’s a shame since the slasher bits are the most fun.
This weekend, the ReFrame Peterborough International Film Festival hits theatres in the city’s downtown core – you won’t want to miss it. The selected documentaries hold their own importance against each other, and show how hopeful futures are still within reach against global issues. The selections are raw, but the filmmakers are and determined to be heard.
Addison Wylie 2015 was a great year for movies, and I hope returning readers will see those results on the lists below. However, I understand if my favourites at the tip of the iceberg aren’t surprising – they haven’t changed since the mid-year report. A couple of excellent documentaries, and an army of dogs set the bar astronomically high. On another note, I hope people will consider checking out the films that flesh out the…