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American Werewolves

In rural Michigan, dozens of individuals have reported sightings of a terrifying bipedal creature stalking forests and country roads at night.  Standing six-to-seven feet tall, with fearsome glowing eyes and a head resembling a canine, the Michigan werewolf (or “dogman”) is a well-documented urban legend.  Startlingly similar is the so-called “Beast of Bray Road” sighted in the neighbouring state of Wisconsin.  Like the Michigan dogman, the beast stands upright on two legs and has the…

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Marcel the Shell with Shoes On

Marcel the Shell with Shoes On has always found a way to make people laugh through short films and literature.  For their next trick, creators Dean Fleischer-Camp and Jenny Slate effortlessly expand on their concept to include more of an emotional core to Marcel’s world in this self-titled, feature-length debut.

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Morbius

The output of movies based on comic book properties isn’t slowing down any time soon, which is why I appreciate filmmakers who take a different crack at the genre. While some of these anomalies are laughed off or forgotten by their demographics, I tend to stick up for these weird flicks (I got a kick out of the buddy comedy dynamic in Venom) . What I’m trying to say is that I wanted to be on…

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Lux Æterna

I’ll be reviewing Gaspar Noé’s Vortex very soon, and I wanted to use the filmmaker’s latest short Lux Æterna as a gateway to his latest feature.  I’m a fan of Noé’s polarizing work from what I’ve seen (Irreversible, Enter The Void), but his latest projects utilize a split-screen technique I haven’t seen him play around with before.  As a provocateur, the writer/director has been know to explore and experiment with “gratuitous filmmaking”.  It’s overkill for…

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The Forgiven

By: Jolie Featherstone John Michael McDonagh’s grim social drama, The Forgiven, explores the intersections of class, race, and culture.  Based on the 2012 novel of the same name by author Lawrence Osborne, the film constructs a world beyond time.  Indeed, the story feels as if it could be set today or many decades ago and it would still be just as relevant.

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Slash/Back

While I’m not head-over-heels for Slash/Back, Nyla Innuksuk’s lil’ sci-fi that could, I don’t want the filmmaker to be discouraged by my review.  It’s best described as a Northern Canadian Attack The Block, which is an incredible compliment.

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The Righteous

Actor Mark O’Brien, who you may recognize from his film roles in Ready or Not, End of Days, Inc. and Hammer, or his recurring role on TV’s Republic of Doyle, makes his feature-length debut as a writer and director with The Righteous.  And coming from a performance background, it’s understandable that The Righteous is an “actor’s movie” in the sense that it relies heavily on its performances and character work.

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The Good Neighbour

The Good Neighbour reminds viewers that just because a movie is a guilty pleasure, that doesn’t always indicate that it’s a bad movie.  Stephan Rick’s thriller is far from great but, as far as meeting expectations, I had a lot of fun with his movie.