By: Liam Parker Jerzy Skolimowski’s EO, a 90% dialogue-free, Polish film whose protagonist is a donkey, is one of the most interesting films of 2022. The movie, named after its donkey, centres itself on the melancholic ex-circus animal as he travels the continent of Europe; witnessing the worst and best sides of human nature and chronicling a microcosm of modern European life along the way.
By: Trevor Chartrand With the title alone, Firenado makes its intentions (or lack of intentions, perhaps) clear right off the bat: this is not a movie to be taken seriously. As if a film like this ever could be. This flaming twister of a motion picture is a zero-effort waste of your time – in the most entertaining ways possible.
From the producers of Poor Agnes comes the provocatively titled Happy FKN Sunshine feels, an angry indie with a vague connection to its story.
As one of the very first celebrity chefs, Charlie Trotter spent the early 2000s on top of the culinary world. In her new documentary Love, Charlie: The Rise and Fall of Chef Charlie Trotter, writer/director Rebecca Halpern (History Channel’s Gangland) traces Charlie’s rise to prominence and the enduring mark that he left on the culinary world.
The marketing campaign for Bros was based around its groundbreaking elements, reminding viewers that the LGBTQ+ cast on screen were out and proud and that everyone involved was working on telling an honest romance from the queer perspective. It’s also, reportedly, the first widely released rom-com of its ilk. That’s great and I’m elated for the production but, at the end of the day, what’s the word on the movie itself?
By: Jeff Ching Clean Slate is a documentary that can be described as The Fabelmans meets Dopesick. Instead of trying to cover the opioid crisis and the countless lives that have been ruined because of it, Clean Slate takes a more grounded approach; simply focusing on two best friends (Cassidy and Joshua) in rehab, whose lives have been ruined by their addiction to painkillers. However, Cassidy and Joshua share one passion – their love of…
A “found footage” horror anthology gets a seasonal spin in The Christmas Tapes, but it’s only further proof as to why these projects are a tough task to pull off.
As much as I’m a sucker for anything Jackass related, I’m compelled by the slew of strange copycats that followed the success of the stunt-and-prank franchise. Call it a guilty pleasure, I suppose, but it taps into a time that felt dangerous and outrageous, and the behaviour was often deemed as “just a phase” and otherwise ignored (despite the constant warnings and disclaimers slapped on to Jackass by MTV and Paramount Pictures). If independent third-parties…
When I reviewed a sci-fi flick named Ashgrove at this year’s Canadian Film Fest, I sensed that it was a different type of movie for its director Jeremy Lalonde. It was significantly more dramatic than his previous work, which have either been ensemble comedies (Sex After Kids, How to Plan an Orgy in a Small Town) or high-concept projects (The Go-Getters, James vs. His Future Self), and I felt like he was challenging himself as a storyteller to look…
