French Girl
By: Jolie Featherstone Funny and charming, French Girl takes audiences back to the classic romantic comedies of the 2000s in this impressive feature-length directorial debut from James A. Woods and Nicolas Wright.
Reviews
Damsel
Though Netflix’s latest female-led action flick was released on International Women’s Day, Damsel makes an unconvincing case to empower anybody. Especially when the film stops in its tracks to have its heroine Elodie (Stranger Things’ Millie Bobby Brown) denounce the story’s deliberate discriminatory attitude towards young women. However, if viewers are looking for a fun romp where that same heroine is in a cavernous cat-and-mouse chase from a fire-breathing, angry dragon, Damsel is just the…
They Shot the Piano Player
They Shot the Piano Player is an animated docdrama that, ultimately, failed to connect with me. But, to credit filmmakers Javier Mariscal and Fernando Trueba (co-directors of the Oscar-nominated animated film Chico & Rita), the movie’s efforts are certainly not wasted.
Hey, Viktor!
Amateur Cree filmmaker Cody Lightning shoots for the sky with Hey, Viktor!, an unexpected mockumentary that pulls its influences from the most unlikeliest of places.
The Animal Kingdom
By: Trevor Chartrand Thomas Cailley’s The Animal Kingdom is a modern-day fairy tale. A compelling and imaginative film that combines fantastical whimsy with an ominous, satiric edge.
On the Adamant
On the Adamant, the latest endeavor from French documentary filmmaker Nicholas Philibert (The Land of the Deaf, Each and Every Moment, Nénette), is an almost deceptively subtle film. Following staff and clients of a psychiatric day centre on a floating structure in the Siene River in central Paris, On the Adamant combines slow, languid shots of the river (and the city that surrounds it) with interviews and scenes of the centre’s daily activities where patients paint, play…
Mean Girls
Nearly 20 years after its initial release, a different rendition of Mean Girls – the cult teen flick penned by and co-starring Saturday Night Live alum Tina Fey – tries to make as much of an impact as its predecessor did.
Spaceman
Spaceman can seem intimidating to Joe Schmore scrolling through Netflix new releases: the cool intergalactic setting seems limiting, Adam Sandler is flexing his most sombre acting chops yet, and is that a giant spider he’s talking to? But when you boil the movie down to its basic fundamentals, Spaceman is not as challenging as one may think. This drama, which is pretty good to boot, is easy to follow and empathize with. This is, however,…