The Toronto After Dark Film Festival has a firm commitment to giving short films a significant platform, and this year was no different. The shorts are peppered in throughout the festival – from short film programs to condensed genre flicks opening for much-anticipated features. The following are short films that were featured in the Canada After Dark showcase that are worth your time if you see them reappear on the festival circuit or an online…
I recognize Jamie Elman from the Canadian cult teen comedy Student Bodies, and I remember Eli Batalion making me laugh with his tech comedy Appiness. But, I had never watched their efforts on YidLife Crisis, a web series created and starring Elman and Batalion that explores and celebrates Jewish culture through sketch comedy. After finding an audience online, the duo have since adapted their observational humour for live stage shows. Despite having a passion for their heritage, they’re…
Surly lawyer Glenn “Joseph” Feldman is certain that a former business partner was profiting from a hidden stash of stolen Nazi gold. In fact, Joseph’s infamous conviction becomes detrimental to his career and personal life, and has brought on a defamation lawsuit against him by his old friend. His skeptical and inquisitive daughter, Alex, wants to help bring closure to this chapter with some tough love and some outsider expertise. Billie Mintz’s documentary looks slick…
Vampire Zombies…from Space!: if you think that title tries hard to impress the audience, wait ’til you see the movie! Vampire Zombies…from Space! aims to be a pastiche of black-and-white creature features of the 1950s. Director Michael Stasko (co-writting with Alex Forman) nails the visual attributes of this era, yet always remembers that he’s making a cornball comedy. The best jokes in Stasko’s film are the gags that don’t necessarily satirize the genre or the period,…
Mixing humour into a documentary about a serious subject can be a dicey move. American Cats: The Good, the Bad, and the Cuddly, the second runner-up for the Hot Docs Rogers Audience Award pulls off this challenge despite some close calls.
Ever since the the death of Leonard Watson in 2006, aspiring filmmaker Kurtis Watson has struggled to find closure and understand his Dad’s decision to commit suicide. It’s been an upsetting topic for his family, who are either still grieving or are more in the dark than Kurtis about the tragedy.
When I wrote about Ryan Ward’s directorial feature debut Son of the Sunshine, I was humbled by the filmmaker’s response to my unenthused review. I had labeled his film as “maple syrup melancholy”, a term I coined to encompass Canada’s ongoing trend of churning out depressing, empty movies. I thought the term was clever, Ward didn’t think so. The Canadian writer/director advised that, while disliking a movie and its motives is fine, labelling art can…
Movie goers who have been caught rolling their eyes at “chapter narratives” will be pleasantly surprised by Sean Garrity’s The Burning Season, a reversed romantic drama that unravels an affair between two star-crossed lovers.
My Animal, the feature-length directorial debut from music video cinematographer Jacqueline Castel, is a dramatic horror that offers a unique breath of fresh air to the coming-of-age sub-genre.
The Hyperborean has been written and directed by filmmakers who have been serving a 10-year sentence in my personal “movie jail” since being responsible for the gross-out body horror Septic Man. After missing their recent collaborations, director Jesse Thomas Cook and screenwriter Tony Burgess have appeared on my radar with their latest sci-fi mashup The Hyperborean and, thankfully, it’s pretty good.