Latest

Festival Coverage

Festival Coverage

Hot Docs 2017: ’78/52′ and ‘Motel’

78/52 (DIR. Alexandre Philippe) It’s a testament to Alfred Hitchcock’s talent as a filmmaker that he directed the shower scene from Psycho and he is still known for things other than that;  any other director would have simply become known by that singular sequence.  Even though, that particular scene may well be the single most studied, analyzed and deconstructed scene in the history of cinema and, as a part of this tradition, there is Alexandre…

Festival Coverage

Hot Docs 2017: ‘My Enemy, My Brother’ and ‘PACmen’

My Enemy, My Brother (DIR. Ann Shin) In 2015, Ann Shin documented a rather unusual event: an Iranian child soldier, Zahed, had recently had a chance encounter with an Iraqi soldier, Najah, whom he had saved during the Iran-Iraq war, at a Vancouver institution for survivors of torture.  This chance encounter had made the two men friends.  This anomaly had led to the short film My Enemy, My Brother.  Now, Hot Docs is home to the…

Festival Coverage

Wylie Writes @ TIFF KIDS ’17

Currently, the TIFF Kids International Film Festival (April 7 – April 23) is hosting a variety of content; including exclusive film premieres, industry insight, and interactive activities.  I was fortunate enough to catch a couple of the premieres at this year’s TIFF Kids, and both films were encouraging examples from future storytellers.

Festival Coverage

Wylie Writes @ Toronto International Spring of Horror and Fantasy Film Festival ’17

The Toronto International Spring of Horror and Fantasy Film Festival is a weekend dedicated to genre appreciation conceived by filmmakers Lari Teräs and Jon Lewis.  The festival returns to the city’s indie hot spot Carlton Cinema on Friday, April 7 and carries through to Sunday, April 9, promising movie goers an eclectic three-day event filled with music videos, short films, and unique movies that are out-of-this-world.

Festival Coverage

Canadian Film Fest ’17: Modern Classic

Making a movie like Modern Classic requires film experience, and I’m not talking about knowing how to assemble a shot list.  It’s a taxing process of compromises that pulls you through the ringer while you remain hopeful and eager.  Modern Classic, a flippant film about this love/hate relationship, uses catharsis and dry humour to exhale.