Articles by Addison Wylie

Festival Coverage

Wylie Writes @ Hot Docs 2014: Age is No Misfortune

Growing old should never be looked at as a negative. It should be thought of as a way to celebrate. The ladies featured in the following documentaries have found a way to stay young at heart and hold onto their impassioned looks at life. They have ambition and simply run with it; knowing that their actions will make a difference and perhaps make people smile. Divide In Concord (DIR. Kris Kaczor) By: Gesilayefa Azorbo If documentary…

Festival Coverage

Wylie Writes @ Hot Docs 2014: Fittingly Framed

Crime often features some prime subjects for documentarians. The stories sometimes serve up a ruthless criminal, unbelievable twisty pasts, and layers upon layers of aggressive activity with hopes that justice will prevail. The docs are even more riveting because none of this is fiction. This year’s festival isn’t without a few crime docs. Let’s take a look at a couple of them. Whitey: United States of America v. James J. Bulger (DIR. Joe Berlinger) By: Addison Wylie…

Reviews

Brick Mansions

By: Addison Wylie Recently, I reviewed the humdrum action flick In The Blood.  It was escapist entertainment that didn’t work because the filmmaker in charge couldn’t wrangle an action film.  He understood the music, but didn’t necessarily know how to play the song. After having watched Brick Mansions, I feel the need to follow-up with my analogy.  Brick Mansions is that musician who knows the music, can perform the song, but has no desire to…

Reviews

In The Blood

By: Addison Wylie In The Blood is what it is. It’s straight-down-the-middle B-movie schlock.  In this case, it’s easier to accept because of how many stunts made me giddily wince while I watched it.  But, director John Stockwell shows audiences that action movies may not be his “thing”. Former American Gladiator-turned-actress Gina Carano plays Ava, a newly married gal trying to find the whereabouts of her missing husband Derek (played by Cam Gigandet).  While on…

Festival Coverage

Wylie Writes @ Hot Docs 2014: A Different Type of Doc

To movie goers who may not be doc-savvy, they may instantly think a documentary has to be a film where talking heads flap away while being accompanied with relevant b-roll.  That’d be unfortunate because that’s not always the case. The Hot Docs International Documentary Festival tries to provide audiences with documentaries that set out to portray the genre from a different angle.  The festival does a solid job at providing plenty of examples. However, there are…

Festival Coverage

Wylie Writes @ TIFF Kids 2014: A Day With the Industry

  By: Addison Wylie I’ve enjoyed covering the TIFF Kids International Film Festival in the past, but this year was especially cool. This marked the first year for any festival where I obtained an industry pass.  The TIFF Kids Industry pass entitled you to sit in on exclusive conversations, workshops, keynotes, and Q&A’s.  The team behind the festival made sure they delivered on guests who could provide truthful insight about the world of filmmaking and…

Festival Coverage

Wylie Writes @ Hot Docs 2014: Baring It All and Barely Keeping Quiet

The Hot Docs Canadian International Documentary Festival is fast approaching, which means it’s time to  check out some of the docs that will be playing this year. The festival has been known to feature a variety of different work capturing all sorts of subjects and world events.  There’s simply no other festival like it, which explains why it’s become the largest film festival for docs in North America. Hot Docs is one of my favourite festivals…

Reviews

Wylie Writes @ TIFF Kids 2014: School of Babel

By: Addison Wylie Following a recent trend of year-in-the-life-of-a-high-schooler documentaries, School of Babel marks the movement’s first forgettable entry.  It serves a purpose and the events in Julie Bertuccelli’s doc will undoubtably affect the featured students, but the impact on the audience is muted by vacant direction and a slow pace. In Paris at La Grange-aux-Belles secondary school, a class of diverse teens learn the French language while inhabiting the new culture.  It’s always so…

Reviews

A Haunted House 2

By: Addison Wylie Why do we have a sequel to last year’s poorly reviewed A Haunted House?  Well, some people – including me – thought the first outing was a dumb unadulterated comedy that was actually a really funny send-up to the recent trend of horror flicks involving possessions and the devil.  Because of the giggly reception and a profitable box office, director Michael Tiddes and partner-in-crime Marlon Wayans have decided to throw another spoof…

Reviews

The Battery

By: Addison Wylie Jeremy Gardner’s slow burn horror The Battery has earned crowds of cheers reaching back to its early film festival days from genre movie goers.  Even though I wasn’t sold on this flabby flick, that’s great news for the filmmaker.  It’s a zombie movie that hardly shows you any of the walking dead.  That’s a tough sell! You see limited amounts of zombies because Gardner wants to set his sights more on the…