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Articles by Addison Wylie

Festival Coverage

Wylie Writes @ Hot Docs 2014: Hunky-Dory Heartbreak Doc

April 29, 2014Addison Wylie0 Comments

Sleepless in New York (DIR. Christian Frei) By: Addison Wylie There’s narration – nay – lots of narration in Christian Frei’s Sleepless in New York from lonely people who have been dumped.  The voiceovers wear thin after a while, but they do serve a purpose. The doc is a film that gets “the break-up” right.  Frei is fortunate to have received good applicants from his open casting call (street-laden flyers inviting heartbroken souls to participate), and those…

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Festival Coverage

Wylie Writes @ Hot Docs 2014: Help Me, Help You

April 28, 2014Addison Wylie1 Comment

The theme of human connection has never been so prevalent.  The latest technology seems to be fastening people away from face-to-face interactions, and Spike Jonze’s Her made it clear as to what path the human race could possibly fall into. Filmmaker Tony Shaff has made a documentary that tries to follow suit. But, can he stick his landing? Hotline (DIR. Tony Shaff) By: Addison Wylie Hotline has an intriguing dynamic.  Tony Shaff’s documentary focuses on those conversations that…

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Festival Coverage

Wylie Writes @ Hot Docs 2014: Everything is Political

April 27, 2014Addison Wylie0 Comments

Shield and Spear (DIR. Petter Ringbom) By: Parker Mott “Everything is political”, a group of South African artistes extol as mantra in Shield and Spear, which has its world premiere at Hot Docs.  This saying is called, in conventional wisdom, “The Activist’s Argument”;  it also resembles Ai Weiwei’s line that “art is politics” from his documentary Never Sorry (the latest documentary on the provocative Chinese artist, The Fake Case, is also at Hot Docs).

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Festival Coverage

Wylie Writes @ Hot Docs 2014: A Doc with Braaains

April 26, 2014Addison Wylie0 Comments

Just as other festivals offer a “Midnight Madness” selection, Hot Docs hopes to bring in the same crowd with its Nightvision screenings. These documentaries feature brazen topics and massive cult followings;  films that are certainly unlike any other.  An added bonus is the discounted price of films screening after 11:00 p.m.  For a cool $7, treat yourself to some of these neat docs. If you’re into horror, you should give Alexandre Philippe’s doc a shot. Doc of the Dead (DIR. Alexandre Philippe)…

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Reviews

The Other Woman

April 25, 2014Addison Wylie0 Comments

By Parker Mott It’s hard to watch The Other Woman without bringing into the equation James Toback’s remarkable 1997 feature Two Girls and a Guy, a talk-heavy, one-room dramedy about two women (played by Heather Graham and Natasha Gregson Wagner) who discover they are dating the same man (played by Robert Downey, Jr.) and then conspire to make him suffer for his cheating ways.  The movie found ingenuity in the shameless rationale of its male…

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Festival Coverage

Wylie Writes @ Hot Docs 2014: Age is No Misfortune

April 25, 2014Addison Wylie2 Comments

Growing old should never be looked at as a negative. It should be thought of as a way to celebrate. The ladies featured in the following documentaries have found a way to stay young at heart and hold onto their impassioned looks at life. They have ambition and simply run with it; knowing that their actions will make a difference and perhaps make people smile. Divide In Concord (DIR. Kris Kaczor) By: Gesilayefa Azorbo If documentary…

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Festival Coverage

Wylie Writes @ Hot Docs 2014: Fittingly Framed

April 24, 2014Addison Wylie1 Comment

Crime often features some prime subjects for documentarians. The stories sometimes serve up a ruthless criminal, unbelievable twisty pasts, and layers upon layers of aggressive activity with hopes that justice will prevail. The docs are even more riveting because none of this is fiction. This year’s festival isn’t without a few crime docs. Let’s take a look at a couple of them. Whitey: United States of America v. James J. Bulger (DIR. Joe Berlinger) By: Addison Wylie…

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Reviews

Brick Mansions

April 24, 2014Addison Wylie2 Comments

By: Addison Wylie Recently, I reviewed the humdrum action flick In The Blood.  It was escapist entertainment that didn’t work because the filmmaker in charge couldn’t wrangle an action film.  He understood the music, but didn’t necessarily know how to play the song. After having watched Brick Mansions, I feel the need to follow-up with my analogy.  Brick Mansions is that musician who knows the music, can perform the song, but has no desire to…

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Reviews

In The Blood

April 23, 2014Addison Wylie1 Comment

By: Addison Wylie In The Blood is what it is. It’s straight-down-the-middle B-movie schlock.  In this case, it’s easier to accept because of how many stunts made me giddily wince while I watched it.  But, director John Stockwell shows audiences that action movies may not be his “thing”. Former American Gladiator-turned-actress Gina Carano plays Ava, a newly married gal trying to find the whereabouts of her missing husband Derek (played by Cam Gigandet).  While on…

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Festival Coverage

Wylie Writes @ Hot Docs 2014: A Different Type of Doc

April 23, 2014Addison Wylie0 Comments

To movie goers who may not be doc-savvy, they may instantly think a documentary has to be a film where talking heads flap away while being accompanied with relevant b-roll.  That’d be unfortunate because that’s not always the case. The Hot Docs International Documentary Festival tries to provide audiences with documentaries that set out to portray the genre from a different angle.  The festival does a solid job at providing plenty of examples. However, there are…

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