Focused on Toronto’s Regent Park, My Piece of the City follows a few local kids as they prepare for their community-inspired stage production, The Journey.
There are some things that Andrey Zvyagintsev is very good at, such as political commentary. There are some things that Zvyagintsev is awful at, such as portrayals (or occasionally even the inclusion) of women in his films. So, what happens when Zvyagintsev makes a political film with a female lead? You end up with a disappointing monstrosity; one that could have been a masterpiece if a good forty percent was discarded. You end up with…
In a remarkable directorial and screenwriting debut from Arab-Israeli filmmaker Maysaloun Hamoud, In Between encapsulates the struggle between identity and conflicting cultural expectations.
By: Jessica Goddard An intercontinental survey of the state of the archaic shoe shining profession, Stacey Tenenbaum’s Shiners is endearing in its graceful simplicity and ability to shine a spotlight on truly memorable, delightful characters. Tenenbaum has a genuine gift for seeking out excellent subjects – from the quirky and lovable, to the inspiring and pleasantly puzzling. All have in common a philosophical attitude towards the work of shoe shining; whether they consider it a bona…
Sometimes, subpar movies can challenge our opinions and still manage to stick out. Such is the case for Kiyoshi Kurosawa’s Before We Vanish, a mid-level sci-fi flick with eccentric comedy, explosive action, and dry drama thrown into the mix.
And here I was thinking that this week’s scatological doc Poop Talk was going to be the most pointless release of the year.
By: Trevor Chartrand Leave it to the British to define the pinnacle moment in human evolution as a soccer (er, ‘football’) game against the French.
Poop Talk is kind of pointless. It’s not entirely useless, but did we really need a dookie digest starring comedians cracking wise about what they’ve snapped off? It’s quite literally “shits and giggles”.
From Hollywood to Rose is a product of the 90s, which hints towards the film’s wheelhouse.
Let There Be Light, a directorial feature debut from Hercules’ Kevin Sorbo, is the latest entry in the faith-based sub-genre. This Christian family film has been a passion project of Sorbo’s, with an added bonus of being able to work closely with his wife, Sam (who co-wrote the script with The Hurricane’s Dan Gordon). While mirroring certain details of God’s Not Dead (another devout drama Kevin Sorbo starred in as a similar atheist), Let There Be Light gives audiences…