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September 2017

Festival Coverage

TIFF 2017: ‘Porcupine Lake’

It’s not healthy to compare movies, but I have a feeling I would’ve had greater appreciation for Ingrid Veninger’s Porcupine Lake if I hadn’t already seen Andrew Cividino’s Sleeping Giant.  Both are of Canadian origin, they take place over the course of a Summer away from home, and they follow a coming-of-age narrative with kids.

Festival Coverage

TIFF 2017: ‘Mary Shelley’

By: Jessica Goddard Mary Shelley is an appropriately dramatic and sentimental depiction of the early life of 19th century writer Mary Shelley (Elle Fanning), as well as a satisfying exploration of Shelley’s influences in writing her now-classic novel, Frankenstein.  The film focuses heavily on the arc(s) of Mary’s relationship with her eventual husband, Percy Bysshe Shelley (Douglas Booth);  always emphasizing the ways in which Mary’s famous Gothic novel is affected by the various traumas of…

Reviews

Home Again

By: Jessica Goddard Home Again is for Hollywood, by Hollywood, about Hollywood.  If you can deal with that, you might enjoy this safe and well-meaning romantic comedy.  Hallie Meyers-Shyer’s Home Again (a title which never ends up making any sense) is rarely laugh-out-loud funny, but it’s often endearing in a snort-and-smile kind of way.

Reviews

Pilgrimage

Pilgrimage will be known as “that movie where the Punisher fights alongside monk Spider-Man”.  By that, I mean Tom Holland (Spider-Man: Homecoming) and Jon Bernthal (Netflix’s Daredevil and The Punisher) have starring roles in Brendan Muldowney’s action/drama about a monastery’s dangerous mission.

Reviews

Goon: Last of the Enforcers

Goon: Last of the Enforcers arrives five years after the surprise hit Goon, and it’s as if the audience never left these characters.  Even though the film is working under a different director (Jay Baruchel taking over for Michael Dowse), this sequel makes sure it stays within the same surly vein as its delightfully crude predecessor.

Reviews

All Eyez on Me

Benny Boom, the music video director/indie filmmaker behind Next Day Air and 48 Hours to Live, has been given a chance to swim in a larger pond with the Tupac Shakur biopic All Eyez on Me.  On paper, this should work.  Boom’s been working upwards to larger projects, and the source material is certainly in his wheelhouse.

Reviews

Little Evil

I would be perfectly fine if the rest of Adam Scott’s acting career were gigs in horror comedies.  With Krampus and now Netflix’s Little Evil, the actor has a special comedic expertise with applying Straight Man schtick when facing fantastical odds, and countering by meeting the film’s expectations in the final stages of the ridiculous plot.