I Am The Blues
Much like Muscle Shoals and The Wrecking Crew, I Am The Blues is a documentary that allows its audience to fully submerge themselves in a musical genre.
Much like Muscle Shoals and The Wrecking Crew, I Am The Blues is a documentary that allows its audience to fully submerge themselves in a musical genre.
Is there an animated .GIF that sufficiently portrays your facial expression when you are made aware that you and your twin sibling are dating the same person?
I remember interviewing filmmaker Igor Drljaca in 2012 when his feature film debut Krivina was a selection at TIFF. Even though his slow-burning drama Krivina left me lukewarm, I walked away from our one-on-one with a movie goer’s gratification, knowing that Drljaca – with his confident opinions – was going to have an interesting career ahead of him.
Out of all the stories and characters in Miles, writer/director Nathan Adloff picks the weakest ones to carry his semi-autobiographical indie.
The laughs in Seth Rogen’s first live-action sequel Neighbors 2: Sorority Rising are every bit a part of the movie’s rollicking Revenge of the Nerds pastiche. The film is driven by the dubious actions and deceptive prank wars between two scrambling teams, which amount to amusing, frenzied chaos.
If anything says “fun long weekend at a sunny lake house,” it’s deliberately creating awkward tension with your friends.
There are different ways for a writer to tell a story while tapping into their own personal catharsis. Chris Kelly (co-writer of Saturday Night Live and Broad City making his feature filmmaking debut) has found a vessel in Other People to tell his own semi-autobiographical story by re-capturing snapshots of his ailing mother’s final months.