With The Witch, Robert Eggers showed the world that there were untold, new ways to tell horror stories. So, what can someone who has already reinvented a genre do as a follow up? Eggers decided to tell a new story based on the research of horrific authentic historical documents, and it works.
Swimming in foreplay and misogyny, After is PG-13 fodder that doesn’t even deserve your morbid curiosity.
By: Jessica Goddard A poignant and sincere exploration of family, loyalty, and cultural divide, The Farewell turns its writer-director’s quirky anecdote into effective drama.
A bunch of different ideas coexist in The Beach Bum, but they never truly come together.
From my experience, audiences usually like when a movie shifts into high gear right off the hop; especially if it’s an action movie. The Kid does just that. Using a pair of young fugitives as a vessel for the audience, the film essentially starts in the middle of a power struggle between Pat Garrett (Ethan Hawke) and Billy ‘The Kid’ Bonney (Dane DeHaan).
Gloria Bell is eventually invigorating. “Eventually” usually has a negative connotation, but not in the case of Sebastián Lelio’s movie. After all, the search for one’s identity isn’t going to be easy.
P.I Carson Philips (John Travolta) accepts a missing persons case that returns him to his hometown. Reminding movie goers of Walking Tall, Philips observes that his old stomping ground is unlike how he remembers it, which leads into an overlapping conspiracy involving the recent murder of a star high school quarterback.
Dragged Across Concrete is an excellent contemporary crime thriller that feels painstakingly real. From its characterizations of bitter people blaming PC culture and 24/7 surveillance for their own faults to the drawn-out investigations that suggest other criminal activities are afoot, this is a divisive film that is identifiable and purposely tough on the viewer.
The Con Is On is a screwball crime comedy starring actors who have no problems playing up the absurd angles of an unconventional heist. The intention of the film is to bust the audience into fits of laughter but, instead, the only thing that’s busted is the film itself.
By: Trevor Chartrand In his feature film follow-up to 2013’s Spring Breakers, director Harmony Korine delivers a similarly raunchy, yet dark comedy with this year’s The Beach Bum. Much like Spring Breakers, this latest undertaking by Korine is bound to receive a mixed reaction from most moviegoers.